
Vincent van Gogh
Vincent and Theo van Gogh lived here from June 1886 until Vincent left for Arles in February 1888. He painted the view from the window repeatedly; a plaque marks the building.
The Montmartre flat Vincent van Gogh shared with his brother Theo from June 1886 until he left for Arles in February 1888 — the address where his palette turned from Dutch brown to the colour everyone now knows him for.
Vincent van Gogh arrived in Paris from Antwerp in March 1886, unannounced, and moved in with his brother Theo. Theo's flat on the rue Victor-Massé was too small to paint in, so by June the brothers had taken a larger apartment high on the rue Lepic, on the slope of Montmartre. Sources differ between the third and fourth floor, which is the usual confusion between French and English floor-counting; either way it was near the top, and the height was the point.
Theo wrote about the view: across the whole city, out to the hills beyond, with a great quantity of sky above it. Vincent painted it repeatedly, and the rooftop views from this window are among the first pictures in which his Paris palette appears.
What happened at this address is the most important two years in his development. He came in with the dark earth colours of the Dutch pictures — the Potato Eaters had been painted the year before — and he left in February 1888 for Arles with the high-keyed, broken, saturated colour of everything he is now famous for. Between the two lies Paris: the Impressionists in Theo's gallery, the Japanese prints, the pointillists, and a great many self-portraits made because he could not afford models.
He also nearly wrecked the household. Theo, who was keeping him, wrote to their sister about how difficult Vincent was to live with. The relief when Vincent left for the south was mutual, and the correspondence that followed is one of the great bodies of letters in art.
A stone plaque marks the building. The flat is private.
Vincent arrives in Paris in March; the brothers move to the rue Lepic in June.
He paints the view from the window, the Montmartre windmills, and a long series of self-portraits.
He leaves for Arles in February.
At 54 rue Lepic in Montmartre, with his brother Theo, from June 1886 until February 1888. Before that they were briefly at Theo's smaller flat on the rue Victor-Massé.
Everything about his colour. He arrived painting in dark Dutch earth tones and left two years later with the bright, broken, saturated palette of the Arles and Saint-Rémy pictures.
No. The building stands and carries a commemorative plaque, but the flat is private.

Vincent and Theo van Gogh lived here from June 1886 until Vincent left for Arles in February 1888. He painted the view from the window repeatedly; a plaque marks the building.
A small Montmartre cinema, opened in 1928 and still running. It gave Un Chien andalou an eight-month run from October 1929, and in December 1930 its screening of Buñuel and Dalí's L'Âge d'or ended with far-right groups attacking the auditorium and slashing the paintings hanging in the foyer.
Visit the placeThe last working windmills on the butte, turned into an open-air dance hall — painted by Renoir in 1876 and by Van Gogh repeatedly in 1886, a few minutes up the hill from his flat.
Visit the place
The Montmartre flat Louis-Ferdinand Céline kept for twelve years, and the desk behind both of his novels — Journey to the End of the Night and Death on the Installment Plan were written at this address.
Visit the place
Louis-Ferdinand Céline's Montmartre apartment during the Occupation — where Gen Paul came up from his studio a few doors away, and where the manuscripts later famous as 'the lost trove' were left behind in June 1944.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.