Hugh Selwyn Mauberley
Ezra Pound
Hugh Selwyn Mauberley
The on-ramp — read it first, ideally twice.

by Ezra Pound
The 'poem including history' — fifty years, 116 cantos, and modernism's most magnificent ruin.
Begun in London, launched from Paris — A Draft of XVI Cantos was hand-printed there in 1925 — and continued for half a century, The Cantos is Pound's attempt to write an epic containing everything: Odysseus and Confucius, Renaissance bankers and American presidents, economics, paradise, and eventually his own catastrophe, drafted in a Pisan detention cage. No one calls it a success; no one serious calls it skippable. It is the most ambitious poem in English of its century, wreckage included.
Odysseus sailing to the dead, rendered through Anglo-Saxon verse rhythms — the most thrilling opening page in modern poetry, and free of everything that later poisons the poem.
Written in an American military cage in 1945, with the empire of his delusions in ashes — 'Pull down thy vanity' is the sound of modernism judging itself.
Genius and moral ruin in one binding: no book on our shelves poses the reader's hardest question — what do we do with the art of the indefensible? — more directly.
Hugh Selwyn Mauberley
Ezra Pound
The on-ramp — read it first, ideally twice.

The century's other masterpiece by an author history rightly indicts.
Black Spring
Henry Miller
Miller's own everything-at-once experiment, in prose.
A Moveable Feast
Ernest Hemingway
Pound as his friends knew him — generous, absurd, and not yet lost.