Dealer of the rue Laffitte who gave Cézanne his first solo show, wrote an early Renoir biography, and arranged the sculpture collaboration between the arthritic Renoir and Richard Guino.
Painting
Ambroise Vollard sits in the middle of a room crowded with pictures, a small tabby cat on his lap. Pierre Bonnard painted the Paris dealer bald, bearded and hunched, his eyes lowered, in a dark suit that goes almost black against the woodwork behind him. The Petit Palais says the cat was a device Bonnard thought up to stop his sitter falling asleep. Vollard's heirs gave the canvas to the City of Paris in 1950.
Patron of · 1895
In 1895 Monet and his fellow Impressionists convinced the dealer Ambroise Vollard to mount a show dedicated to Cézanne — the exhibition that began the painter's late rise from obscurity.
Met
Dealer and early cataloguer of Renoir's work — Vollard published a volume of his paintings, pastels, and drawings in 1918, and museum provenance trails run through his stock: the Orangerie's Gabrielle et Jean and the National Gallery's portrait of Suzanne Valadon both left the studio through Vollard.
Collaborated with · 1900
Vollard published Bonnard's landmark illustrated edition of Verlaine's Parallèlement in 1900 and Daphnis and Chloe in 1902, allowing image and typography to share the page.
Patron of · 1895
In 1895 Monet and his fellow Impressionists convinced the dealer Ambroise Vollard to mount a show dedicated to Cézanne — the exhibition that began the painter's late rise from obscurity.
Met
Dealer and early cataloguer of Renoir's work — Vollard published a volume of his paintings, pastels, and drawings in 1918, and museum provenance trails run through his stock: the Orangerie's Gabrielle et Jean and the National Gallery's portrait of Suzanne Valadon both left the studio through Vollard.
Collaborated with · 1900
Vollard published Bonnard's landmark illustrated edition of Verlaine's Parallèlement in 1900 and Daphnis and Chloe in 1902, allowing image and typography to share the page.
Depicted in · 1924
The Petit Palais names the sitter in its own title and description, placing Ambroise Vollard on a chair with a small cat on his knees in a room crowded with pictures.
The sources below include biographies, scholarly essays, interviews, and primary materials that informed this page. They reflect both the historical record and ongoing critical conversations about Ambroise Vollard and their work.
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Web source consulted for documented facts and historical context presented on the Ambroise Vollard page.
Web source consulted for documented facts and historical context presented on the Ambroise Vollard page.
Web source consulted for documented facts and historical context presented on the Ambroise Vollard page.
These references anchor the page in the documented record and in the scholarly conversations around Ambroise Vollard. Every claim on this page traces back to one or more of the works listed here.
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