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Maya Angelou quotes about identity

61 quotations, each verified against its source and credited to the work it comes from — the wording as Maya Angelou wrote or said it, not as the internet passes it around. Drawn from the 214 in the full collection. Page 2 of 3.

Illustrated portrait of Maya Angelou

Letter to My Daughter (2008) quotes

We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.
Maya Angelou, Letter to My Daughter (2008), Home

Wouldn't Take Nothing for My Journey Now (1993) quotes

We are more alike, my friends, than we are unalike.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Our Boys
The woman who survives intact and happy must be at once tender and tough.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), In All Ways a Woman
Human beings are more alike than unalike, and what is true anywhere is true everywhere.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Passports to Understanding
Style is as unique and nontransferable and perfectly personal as a fingerprint.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Style
You will always be in fashion if you are true to yourself, and only if you are true to yourself.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Getups
In diversity there is beauty and there is strength.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Our Boys
A rose by any other name may smell as sweet, but a woman called by a devaluing name will only be weakened by the misnomer.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), In All Ways a Woman
Spirit is an invisible force made visible to all life.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), In the Spirit
I have lived in this body all my life and know it much better than any fashion designer.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Getups
Good manners and tolerance, which are the highest manifestation of style, can often transform disaster into good fortune.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Style
If our children are to approve of themselves, they must see that we approve of ourselves.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Voices of Respect
Diversity makes for a rich tapestry, and we must understand that all the threads of the tapestry are equal in value no matter their color; equal in importance no matter their texture.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Our Boys
When people are young, they desperately need to conform, and no one can embarrass a young person in public so much as an adult to whom he or she is related.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Getups
The plague of racism is insidious, entering into our minds as smoothly and quietly and invisibly as floating airborne microbes enter into our bodies to find lifelong purchase in our bloodstreams.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Our Boys
Each of us must care enough for ourselves to be ready and able to come to our own self-defense.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Brutality Is Definitely Not Acceptable
The judicious response to a gibe can disarm the rude person, removing the power to injure.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Style
We can too easily become what we are called with all the unwelcome responsibilities the title makes us heir to.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), Is Anyone Ever Too Much?
If the emperor is standing in my living room stripped to the buff, nothing should prevent me from saying that since he has no clothes on, he is not ready for public congress.
Maya Angelou, Wouldn't Take Nothing for My Journey Now (1993), What’s So Funny?

I Know Why the Caged Bird Sings quotes

If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat.
Angelou (narration) · Maya Angelou, I Know Why the Caged Bird Sings (1969), Prologue
The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power.
Angelou (narration) · Maya Angelou, I Know Why the Caged Bird Sings (1969), Chapter 34
She was one of the few gentlewomen I have ever known, and has remained throughout my life the measure of what a human being can be.
Angelou (narration) · Maya Angelou, I Know Why the Caged Bird Sings (1969), Chapter 15
It seemed terribly unfair to have a toothache and a headache and have to bear at the same time the heavy burden of Blackness.
Angelou (narration) · Maya Angelou, I Know Why the Caged Bird Sings (1969), Chapter 24
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision.
Angelou (narration) · Maya Angelou, I Know Why the Caged Bird Sings (1969), Chapter 34
The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.
Angelou (narration) · Maya Angelou, I Know Why the Caged Bird Sings (1969), Chapter 34

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