
Camille Pissarro
Pissarro took a large room at the Grand Hotel de Russie in February 1897 and stayed until April, painting fourteen views of the Boulevard Montmartre and two of the Boulevard des Italiens from almost the same position.
The vanished hotel on the corner of the rue Drouot and the Grands Boulevards where Camille Pissarro took a large room in February 1897 and painted sixteen canvases of the boulevards below without moving.
On 8 February 1897 Camille Pissarro wrote that he had taken a large room at the Grand Hôtel de Russie, 1 rue Drouot, looking out over the boulevards. He stayed until April.
What he produced there is the clearest demonstration of his late method anywhere: fourteen paintings of the Boulevard Montmartre and two of the Boulevard des Italiens, all from close to the same elevated position. Morning, afternoon, night, sun, rain, a February crowd and a spring one. The most famous of them, the boulevard at night with the gas lamps smeared into the wet road, is in the National Gallery in London.
It is worth being plain about what this was. Pissarro was sixty-six, his eyes were troubling him, and he could not stand in the street for hours as he had in Pontoise. Renting a window was an accommodation to age and illness, and it produced the most modern pictures he ever made — a fixed camera position, a moving city, and time as the actual subject.
The hotel itself has gone. Accounts report it was lost when the boulevard Haussmann was pushed through in the 1920s, and that evidence is secondary rather than archival, so this record marks the corner rather than claiming a building.
Pissarro takes a large room at the Grand Hôtel de Russie in February and paints the boulevards until April.
The hotel is reportedly lost to the extension of the boulevard Haussmann.
From a large room at the Grand Hôtel de Russie, 1 rue Drouot, between February and April 1897 — fourteen views of the Boulevard Montmartre and two of the Boulevard des Italiens.
No. It no longer exists; secondary accounts report demolition during the 1920s extension of the boulevard Haussmann. The corner and the boulevard view remain.

Pissarro took a large room at the Grand Hotel de Russie in February 1897 and stayed until April, painting fourteen views of the Boulevard Montmartre and two of the Boulevard des Italiens from almost the same position.
The Boussod, Valadon gallery on the boulevard Montmartre, where Berthe Morisot was given her first solo exhibition in 1892 — at the age of fifty-one, and three years before her death.
Visit the placeThe theatre that housed the Paris Opera until it burned down in 1873. Its stage, rehearsal rooms and subscribers' foyer are the world behind Degas's dancers — and he went on painting it from memory long after it was ash.
Visit the placeThe Paris auction house where Gustave Caillebotte bid on his friends' unsellable pictures to keep prices up and money flowing — and where Paul Gauguin sold thirty of his own paintings to pay for Tahiti.
Visit the placePaul Durand-Ruel's gallery, where the second Impressionist exhibition was held in 1876 — the dealer who kept buying the group's work through the years when almost nobody else would.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.