
Colette
Lived here · 1893–1896
Colette's first Paris home, a third-floor apartment taken with her husband Willy after their 1893 marriage.
Colette came to Paris in 1893, at twenty, as the new wife of the writer and impresario Willy — Henry Gauthier-Villars — and their first home was a third-floor apartment at 28 rue Jacob, on the Left Bank. It was here that she entered Willy's literary and social world, the machine that would soon put out the Claudine novels under his name alone.
She remembered the rue Jacob years mostly as a time of waiting. The couple moved on in 1896 to the rue de Courcelles. The building still stands on the quiet street between the boulevard Saint-Germain and the Seine.
Colette marries Willy and moves into a third-floor apartment on the rue Jacob.
The couple leaves for the rue de Courcelles.

Lived here · 1893–1896
Colette's first Paris home, a third-floor apartment taken with her husband Willy after their 1893 marriage.

The courtyard pavilion where Natalie Clifford Barney held her Friday salon for sixty years, and the small Doric temple in its garden.
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The street that stitches the Left Bank together — river to Beaux-Arts to Saint-Germain to Saint-Sulpice — and the nightly walk Henry Miller could not stop remembering.
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The Catholic girls' school Simone de Beauvoir attended from the age of six until her baccalauréat. The address is now occupied by the Librairie des Femmes — the feminist bookshop and publishing house — which makes it the most improbable coincidence on any Paris literary walk.
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The Left Bank quarter around the abbey church, where the cafés doubled as offices and the bars above and below them ran the other half of post-war Paris.
Visit the placeThe sources below include histories, archival materials, scholarly research, and official records that informed this page. They document 28 rue Jacob, the people connected to it, and its place in Paris.

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Map data used to verify addresses, geographic coordinates, and the placement associated with 28 rue Jacob.
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The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.