
Marc Chagall
After returning from exile in 1948 Chagall worked for decades at the Mourlot lithography studio, principally with the printer Charles Sorlier. Much of his print output began there.
The lithography workshop where Marc Chagall spent decades after the war making colour prints — the same presses that printed for Picasso, Matisse, Braque and Miró.
Fernand Mourlot ran a lithography works that became, for about forty years, the place where modern painting was translated into print. Picasso, Matisse, Braque, Miró, Léger and Calder all worked on these presses, usually alongside the printers rather than at a distance from them.
Marc Chagall came back from his American exile in 1948 and began working here, and the relationship lasted decades. His principal collaborator was the printer Charles Sorlier, who became the person who understood how to get Chagall's colour onto a stone better than anyone including, at times, Chagall.
This matters more for Chagall than for most of the others. Lithography suited his work — flat saturated colour, drawn line, layered transparency — and the prints are not reproductions of paintings but original works made for the medium. A very large part of his late output is print, and much of it began in this building.
The workshop has gone from the address. What it produced is in museums everywhere.
Chagall returns to France from the United States and begins working at Mourlot.
The long collaboration with the printer Charles Sorlier produces much of his print output.
Fernand Mourlot's lithography workshop, the printer for much of twentieth-century modern art — Picasso, Matisse, Braque, Miró and Chagall among them.
No. They are original works made for the medium, drawn on the stone. Lithography's flat colour and layered transparency suited his painting unusually well.

After returning from exile in 1948 Chagall worked for decades at the Mourlot lithography studio, principally with the printer Charles Sorlier. Much of his print output began there.
The Montparnasse hotel where Paul Gauguin stayed in 1891 in the weeks before he sailed for Tahiti — still trading, with a plaque inside the entrance recording it.
Visit the place
The giant brasserie of the Boulevard du Montparnasse, opened in December 1927 with a party the quarter never forgot — Blaise Cendrars was in the opening-night crowd.
Visit the placeA Montparnasse hotel where Henry Miller and his wife June stayed briefly in 1930, in the unsettled first months of his Paris decade. It still operates at the same address as the Hôtel Lenox Montparnasse.
Visit the place
The all-night café of the Vavin crossroads and the closest thing Ernest Hemingway's The Sun Also Rises has to a home address — the crowd always ends up at the Select.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.