
Mentioned in passing
Tropic of Cancer
Named in the novel as part of the very meaning of Paris — the Montparnasse shorthand for the whole city.
The story goes that the novelist James Baldwin worked on Giovanni's Room at the Select, and the actor and Baldwin scholar Charles Reese says flatly that this is where he finished it. However, nobody has produced a letter, a diary entry, an interview or a page number stating this as evidence. So we keep it on the record, because it is his only reported tie to Montparnasse café life, and we stop short of stating it as fact. If you have the citation, we want it.
The reason for the caution is geography. Baldwin's Paris was Saint-Germain, twenty minutes north: the Café de Flore, Les Deux Magots, Le Tournon, a room at the Hôtel Verneuil. Those are the addresses the City of Paris names and the ones his biographers use. Montparnasse belonged to the generation before his, and by the late 1940s the crossroads was living off the twenties rather than making anything new.
None of which makes the story impossible. Giovanni's Room is a novel about an American adrift in Paris rooms that are not his, and a café that never closed would have suited a writer with nowhere warm to go.
I walked past the sad tables of the Rotonde to the Select. There were a few people inside at the bar, and outside, alone, sat Harvey Stone. He had a pile of saucers in front of him, and he needed a shave.
‘I’m coming over some night. The Dingo. That’s the great place, isn’t it?’ ‘Yes. That, or this new dive, The Select.’
It is, of course, easy to parody Hemingway: — ‘What are you doing?’ ‘Nothing particular.’ ‘Well, let’s go over to the Select.’ ‘Righto!’ We went over to the Select. I was feeling rather bad. He looked pretty sick too. We sat down. The waiter came — the fat one.
Paris! Meaning the Café Select, the Dôme, the Flea Market, the American Express.
Opens at the Vavin crossroads, billing itself an American bar open all night.
The summer crowd whose Pamplona trip becomes Hemingway's The Sun Also Rises makes it their nightly terminus.
The novel publishes with the Select as its Paris anchor — more scenes here than at any other café.
Isadora Duncan's Sacco-and-Vanzetti protest erupts into the terrace's most famous row.
Hart Crane brawls with the waiters and is marched off to La Santé.
Still open under the same name at the same corner.
It was the first café at the Montparnasse crossroads to stay open all night, which made it the last stop of every evening in the quarter from 1923 onward. Ernest Hemingway seats the cast of The Sun Also Rises here more often than anywhere else in Paris, and the terrace produced two of the era's better scandals.
Repeatedly — it is the novel's most-used Paris address. Harvey Stone, the broke writer of the book's café scenes, sits on the terrace behind a stack of saucers; taxis from the Right Bank unload in front of it; and the long night walk across Paris ends there. The café is named in the novel exactly as everyone still names it, in one word.
That is the story, and the actor and Baldwin scholar Charles Reese says the Select is where the novelist James Baldwin finished the book. However, nobody has produced a letter, a diary entry, an interview or a page number stating this as evidence. The addresses his biographers and the City of Paris actually name are all in Saint-Germain rather than Montparnasse. We keep the connection on the record and treat it as unproven.
The American poet fought the waiters over a bar bill in 1929 and was jailed for a week in La Santé prison for it. Two years earlier the terrace had produced another famous row, when Isadora Duncan's protest against the Sacco and Vanzetti executions turned into a brawl.
Yes, at 99 boulevard du Montparnasse on the carrefour Vavin, with the terrace intact. It still keeps late hours, which is the habit that made its name in the first place.

Mentioned in passing
Named in the novel as part of the very meaning of Paris — the Montparnasse shorthand for the whole city.

Setting of the story
Open when everywhere else has closed — the last stop of every Montparnasse evening, and the long night-walk across Paris ends at its lights.

Depicted in its pages
Where Huddleston sets his affectionate parody of the Hemingway style — 'Well, let's go over to the Select.' 'Righto!'

Recalled in the memoir
The memoir's Paris headquarters: the terrace where Stearns's expatriate decade pooled — the saucers, the borrowed francs, the racing sheets signed 'Peter Pickem' — recounted from the far side of the recovery.

Setting of the story
David sits here and drinks after reading Hella's letter, looking for a girl and finding Sue instead. The night that follows is the one he spends trying to prove something to himself.

Frequented by · 1930–1939
Counted among Miller's key Paris cafés — a decade after the Sun Also Rises crowd, the Select was still where the night ended.

Frequented by
Held at probable: a secondary account in Bonjour Paris has Baldwin at work on Giovanni's Room at the Select, his one recorded tie to Montparnasse café life. The actor and Baldwin scholar Charles Reese says the same, that the Select is where Baldwin finished the novel. Neither account rests on a letter, a diary entry, an interview, or a page, and a check of the searchable Leeming biography in August 2026 found no Select reference. A better source would replace this one; until one appears the site does not state it as fact.

Ernest Hemingway wrote about Le Select in The Sun Also Rises.

Sisley Huddleston wrote about Le Select in Paris Salons, Cafés, Studios.

Harold Stearns wrote about Le Select in The Street I Know.

The giant brasserie of the Boulevard du Montparnasse, opened in December 1927 with a party the quarter never forgot — Blaise Cendrars was in the opening-night crowd.
Visit the place
The café every taxi driver delivered Americans to — the novel's driest Montparnasse joke, and before that the painters' living room, where the patron took drawings for drinks.
Visit the place
The noisy common room of Montparnasse and the setting of 'With Pascin at the Dôme' — the café for watching the show, not for working.
Visit the place
Edward Titus's Montparnasse bookshop and small press, where D. H. Lawrence settled terms on 5 April 1929 for the cheap Paris edition of Lady Chatterley's Lover that finally undercut the pirates.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.