
Recalled in the memoir
A Moveable Feast
A few doors from Les Deux Magots and part of the same Left Bank circuit. Later became more associated with Sartre and de Beauvoir.
James Baldwin reached Paris in November 1948. He was twenty-four and had forty dollars, and the rooms he could afford were unheated. The cafés were heated, and they did not mind how long a customer sat over one coffee. That is the plain reason so much of his early work happened at café tables rather than at a desk. The City of Paris, in its walking account of his years here, names the Flore among the rooms he used.
The same account places his meetings with Simone de Beauvoir and Jean-Paul Sartre at these tables. The two of them had spent the Occupation writing upstairs a few years earlier, for the same reason Baldwin came: the café had heat.
A popular account of his Paris years also has Go Tell It on the Mountain taking shape here. That one is worth holding loosely. He worked across several rooms in Saint-Germain, no first-hand source fixes the drafting to this café, and he finished the novel in a Swiss Alpine village rather than in Paris at all.
The Flore is one address on a short walk Baldwin made most days, and the neighbouring rooms carry the rest of the story:
Opens on the corner of the boulevard, named for the Flora statue opposite.
Apollinaire makes the ground floor the office of Les Soirées de Paris.
Part of the daily café triangle with Lipp and the Deux Magots for the expatriate crowd.
Sartre and Beauvoir write through the Occupation at the first-floor tables — the café had heat.
The Prix de Flore is founded, keeping the house in the literary business.
Still open, terrace and awning intact, prices adjusted for fame.
For its regulars rather than its coffee. Guillaume Apollinaire ran a magazine from the ground floor in 1913; Jean-Paul Sartre and Simone de Beauvoir wrote at the upstairs tables through the Occupation because the café had heat and their flats did not; Pablo Picasso, Jacques Prévert and Albert Camus were regulars. The house has kept itself in the literary business since, awarding the Prix de Flore each November.
Yes. The City of Paris names the Flore among the cafés the novelist James Baldwin used after he arrived in November 1948, and places his meetings with Simone de Beauvoir and Jean-Paul Sartre there. He worked in cafés because the rooms he could afford were unheated and the cafés were not.
Probably not, or at least not only there. Popular accounts of Baldwin's Paris years attach the novel to the Flore's tables, but no first-hand source fixes the drafting to this café, he worked across several rooms in Saint-Germain, and he finished the book in a Swiss Alpine village, where he also settled on its title. Treat the Flore connection as atmosphere rather than authorship.
A few doors of the same boulevard, and different house legends. Les Deux Magots is the older literary address, associated with the Surrealists and, later, with James Baldwin's first day in Paris. The Flore's fame is mostly post-war and belongs to Jean-Paul Sartre and Simone de Beauvoir. In the 1920s and again in the late 1940s both were stations on the same daily circuit, and most regulars used both.
Yes. It still trades on its original corner at 172 boulevard Saint-Germain in the 6th arrondissement, terrace and awning script intact. It is a working café rather than a museum, and it is priced for its fame.

Recalled in the memoir
A few doors from Les Deux Magots and part of the same Left Bank circuit. Later became more associated with Sartre and de Beauvoir.

Frequented by · 1948
Baldwin's Paris rooms were unheated and the cafés were not, which is the plain reason he worked in them, and the Flore is the one his early Paris years are most consistently attached to. The City of Paris's account of those years places his meetings with Simone de Beauvoir and Jean-Paul Sartre here, and a popular account has Go Tell It on the Mountain taking shape at its tables.

Frequented by · 1917
Philippe Soupault's memoir places Cendrars among the regulars at Guillaume Apollinaire's Wednesday gatherings at the Flore in the spring of 1917, around six in the evening, and describes leaving the café at his side to walk the city.

Frequented by · 1939–1945
The Café de Flore's own history identifies Simone de Beauvoir as one of the first writers to adopt the café's heated room after Paul Boubal took over in 1939. During the German occupation of Paris, she and Jean-Paul Sartre used the café as a regular place to work and meet people.

Ernest Hemingway wrote about Café de Flore in A Moveable Feast.

A Saint-Germain bar of the postwar years, steps from the Café de Flore, that the City of Paris counts among the gay clubs James Baldwin frequented.
Visit the place
The Saint-Germain address where the City of Paris places James Baldwin as a likely resident in the early 1950s, around the publication of Go Tell It on the Mountain.
Visit the place
The famous literary terrace where the expat crowd gathered. Ernest Hemingway came here, though he preferred La Closerie for actual work.
Visit the place
The cheap bar across the boulevard from the Café de Flore where James Baldwin drank through his first Paris years, and where he met Lucien Happersberger in 1949.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.