
Paul Gauguin
The studio Paul Gauguin took on returning from his first Tahitian voyage - yellow walls, Polynesian carvings, a weekly open house - before leaving France for good in 1895.
The studio Paul Gauguin took on returning from his first Tahitian voyage in 1893, painted chrome yellow and hung with Polynesian objects — a piece of theatre staged to sell a version of himself to Paris.
Paul Gauguin came back from Tahiti in 1893 with a body of work Paris did not know what to do with, and set about explaining it. The studio he took on the rue Vercingétorix was part of the explanation.
He painted the walls a strong yellow, hung the rooms with Polynesian carvings, weapons and his own canvases, dressed the part, and held a weekly open house. His companion in this period was a young woman known as Annah la Javanaise, who appears in the paintings and who eventually left, taking most of the contents of the studio with her.
The performance did not entirely work. The 1893 exhibition at Durand-Ruel sold poorly and the critics were divided, and by 1895 Gauguin had given up on Europe. He sailed for Tahiti again that year and never returned — he died in the Marquesas in 1903.
The quarter was rebuilt during the Montparnasse station development and the studio is gone. The record marks the street.
Gauguin returns from Tahiti and takes the rue Vercingétorix studio.
He leaves France for Tahiti for the second and final time.
He dies in the Marquesas.
No. The area was rebuilt during the Montparnasse station development and nothing of the studio survives.
Self-presentation. Back from Tahiti with unsellable pictures, Gauguin staged the studio — yellow walls, Polynesian objects, weekly receptions — to sell Paris a version of the artist who had made them.

The studio Paul Gauguin took on returning from his first Tahitian voyage - yellow walls, Polynesian carvings, a weekly open house - before leaving France for good in 1895.
The second of Paul Cézanne's two apartments on the rue de l'Ouest, taken in April 1880 — the address he was using while Émile Zola was writing the novel that ended their friendship.
Visit the placeThe fourth-floor Montparnasse apartment Paul Cézanne took in 1877, whose patterned wallpaper appears behind Hortense Fiquet in several of the portraits and stands in for a landscape in the still lifes.
Visit the placeA small Montparnasse hotel where Henry Miller lodged during several stretches of 1931 and 1932, sharing a room with Alfred Perlès in the leanest part of his Paris decade. Still trading under the same name at the same address.
Visit the placeThe second-largest cemetery inside Paris — nineteen flat, gridded hectares south of the boulevard du Montparnasse, holding the graves of Charles Baudelaire, Samuel Beckett, Jean-Paul Sartre and Simone de Beauvoir, Serge Gainsbourg, Man Ray, Guy de Maupassant, Constantin Brancusi and Marguerite Duras.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.