
Paul Cézanne
Cezanne took a fourth-floor apartment in Plaisance in 1877. Its patterned wallpaper appears behind Hortense Fiquet in several portraits and in a number of still lifes.
The fourth-floor Montparnasse apartment Paul Cézanne took in 1877, whose patterned wallpaper appears behind Hortense Fiquet in several of the portraits and stands in for a landscape in the still lifes.
Paul Cézanne rented a small apartment on the fourth floor here from 1877, in Plaisance — then a poor, half-industrial quarter on the southern edge of the city.
It is identifiable in the paintings, which is unusual. The distinctive patterned wallpaper of these rooms appears behind Hortense Fiquet in portraits and forms the background of several still lifes, where its repeating motif does the work a landscape would do in another painter's picture — a flat decorative field against which the solid objects sit.
1877 was also the year he showed sixteen works at the third Impressionist exhibition and was attacked more savagely than anyone else in the group. He did not exhibit with them again. From this point his withdrawal to Aix accelerates, and Paris becomes somewhere he passes through rather than lives.
He took a second apartment on the same street, at number 32, in 1880.
Cézanne takes the fourth-floor apartment and shows at the third Impressionist exhibition.
He takes a second address further along the rue de l'Ouest.
Its patterned wallpaper is the background of several portraits of Hortense Fiquet and of a number of still lifes, where the repeating pattern functions almost as a landscape would.
The 1877 exhibition, his third and last with the group, drew unusually hostile criticism directed at him in particular. He withdrew and increasingly worked alone in Aix.

Cezanne took a fourth-floor apartment in Plaisance in 1877. Its patterned wallpaper appears behind Hortense Fiquet in several portraits and in a number of still lifes.
The second of Paul Cézanne's two apartments on the rue de l'Ouest, taken in April 1880 — the address he was using while Émile Zola was writing the novel that ended their friendship.
Visit the placeThe studio Paul Gauguin took on returning from his first Tahitian voyage in 1893, painted chrome yellow and hung with Polynesian objects — a piece of theatre staged to sell a version of himself to Paris.
Visit the place
A workers' street behind the Montparnasse yards with two literary lives — the surrealists' communal house at No. 54, and Henry Miller's broke wanderings looking for a friend and a meal.
Visit the placeA small Montparnasse hotel where Henry Miller lodged during several stretches of 1931 and 1932, sharing a room with Alfred Perlès in the leanest part of his Paris decade. Still trading under the same name at the same address.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.