
Paul Gauguin
Paul Gauguin worked in the studio alley at the Cite Falguiere in Vaugirard, later occupied by Amedeo Modigliani and Chaim Soutine.
A narrow lane of nineteenth-century artists' studios in Vaugirard, worked in by Paul Gauguin and later by Amedeo Modigliani and Chaïm Soutine — cheap, cold and almost unchanged.
The Cité Falguière is a short private alley of purpose-built ateliers put up in the 1860s, when this part of the 15th was still cheap and half-industrial. Studios like these — high north windows, no comfort, low rent — are the physical precondition for most of what is now called the École de Paris.
Paul Gauguin worked here. So, a generation later, did Amedeo Modigliani and Chaïm Soutine, both of whom lived in the alley in genuine poverty in the years before and during the First World War.
What makes it unusual is how little has happened to it. The alley has escaped the redevelopment that flattened Gauguin's rue Vercingétorix studio a kilometre away, and the buildings are still ateliers.
It is private. It can be looked into from the entrance and no further.
The studios are built in what was then a cheap outer district.
Modigliani and Soutine work in the alley.
Not properly. It is a private alley of working studios; you can see into it from the entrance.
Amedeo Modigliani and Chaïm Soutine both lived and worked in the alley in the years around the First World War.

Paul Gauguin worked in the studio alley at the Cite Falguiere in Vaugirard, later occupied by Amedeo Modigliani and Chaim Soutine.
The fourth-floor Montparnasse apartment Paul Cézanne took in 1877, whose patterned wallpaper appears behind Hortense Fiquet in several of the portraits and stands in for a landscape in the still lifes.
Visit the placeThe 27-metre fire-stair tower Keith Haring painted freehand for the children of Hôpital Necker in April and May 1987 — his permanent Paris work, restored after a six-year conservation campaign.
Visit the placeThe studio Paul Gauguin took on returning from his first Tahitian voyage in 1893, painted chrome yellow and hung with Polynesian objects — a piece of theatre staged to sell a version of himself to Paris.
Visit the placeThe second of Paul Cézanne's two apartments on the rue de l'Ouest, taken in April 1880 — the address he was using while Émile Zola was writing the novel that ended their friendship.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.