Alberto Giacometti
- Sculptor
- Painter
Met
Balthus and Giacometti belonged to overlapping Paris circles and maintained a friendship across their mature careers.
Balthus was born Balthasar Klossowski in Paris in 1908. His parents moved in artistic and literary circles, and the poet Rainer Maria Rilke encouraged the boy's drawings. Rilke arranged the 1921 publication of Mitsou, a sequence about a lost cat drawn when Balthus was eleven.
Balthus trained himself through sustained study of older painting. He copied works in the Louvre and traveled to Italy to study Renaissance frescoes. That training remained visible in the measured spaces and firm outlines of his mature pictures.
His first Paris exhibition in 1934 established the subjects that would define his reputation: closed rooms, figures absorbed in reading or reverie, and city scenes in which separate actions occupy the same constructed space. During the later 1930s he worked at 3 cour de Rohan in the 6th arrondissement.
Between 1936 and 1939 he painted Thérèse Blanchard, a young neighbor, alone and with members of her family. The resulting pictures are among his best-known works. Their controlled compositions and adolescent subjects have also made them the center of continuing argument about his art.
Pablo Picasso acquired The Children, Balthus's 1937 painting of Thérèse and Hubert Blanchard, and spoke admiringly of the younger painter's work. Balthus nevertheless kept his distance from the dominant movements of twentieth-century art and continued to work through older pictorial structures.
He later directed the French Academy in Rome and settled in Switzerland. When he died in 2001, the Metropolitan Museum of Art described him as the last surviving master of the School of Paris, a label grounded in the Paris years in which his major subjects and public reputation first formed.
Born in Paris as Balthasar Klossowski.
Rainer Maria Rilke arranges publication of the childhood drawing sequence Mitsou.
Holds his first major exhibition in Paris.
Paints the series of portraits of Thérèse Blanchard in Paris.
Marries Setsuko Ideta and spends his final decades with her at the Grand Chalet in Rossinière.
Dies in Rossinière, Switzerland.
Met
Balthus and Giacometti belonged to overlapping Paris circles and maintained a friendship across their mature careers.
Supported by · 1937
Picasso acquired Balthus's 1937 painting The Children and continued to speak admiringly of the younger painter's work. The painting later entered the Musée Picasso through Picasso's collection.
Mentored by · 1920
Rilke encouraged Balthus's childhood drawings and arranged the 1921 publication of Mitsou with his own preface.
Met
Balthus and Giacometti belonged to overlapping Paris circles and maintained a friendship across their mature careers.
Studied at
As a young painter, Balthus studied the Old Masters in the Louvre; the museum training helped form the measured spaces and firm outlines of his mature work.
Supported by · 1937
Picasso acquired Balthus's 1937 painting The Children and continued to speak admiringly of the younger painter's work. The painting later entered the Musée Picasso through Picasso's collection.
Mentored by · 1920
Rilke encouraged Balthus's childhood drawings and arranged the 1921 publication of Mitsou with his own preface.
The sources below include biographies, scholarly essays, interviews, and primary materials that informed this page. They reflect both the historical record and ongoing critical conversations about Balthus and their work.

Web source consulted for documented facts and historical context presented on the Balthus page.
Web source consulted for documented facts and historical context presented on the Balthus page.
Catalogue scholarship used to verify attribution, provenance, chronology, and interpretive context for Balthus.
Web source consulted for documented facts and historical context presented on the Balthus page.
Web source consulted for documented facts and historical context presented on the Balthus page.
Catalogue scholarship used to verify attribution, provenance, chronology, and interpretive context for Balthus.
These references anchor the page in the documented record and in the scholarly conversations around Balthus. Every claim on this page traces back to one or more of the works listed here.