Jeanne Moreau
- Actor
- Filmmaker
Collaborated with · 1958
Malle directed Moreau in Elevator to the Gallows and The Lovers, both 1958 — the two films that made her a screen star at thirty.
Louis Malle made his first fiction feature, Elevator to the Gallows, at twenty-four, launched Jeanne Moreau as a film star, and reached his debut the year before the New Wave broke. He is usually counted a contemporary of the movement rather than a member of it: he shared its freedom and its Paris streets but not the Cahiers du cinéma programme, and his films never settled into a single manner.
Over four decades he moved between France and the United States and between fiction and documentary — Zazie dans le métro, Le Feu Follet, Lacombe Lucien, and the autobiographical Au revoir les enfants in France; Pretty Baby, Atlantic City, and My Dinner with Andre in America. He married the actress Candice Bergen in 1980 and died in California in 1995, at sixty-three.
Malle was born in 1932 in the north of France, into a wealthy industrialist family with roots in the Béghin sugar business, and studied film in Paris. His first major credit was as co-director, with Jacques Cousteau, of the underwater documentary The Silent World (1956), which won the Palme d'Or at Cannes and an Academy Award. He came to fiction from documentary, which marked the rest of his work.
In 1958, at twenty-four, Malle directed Elevator to the Gallows, a thriller of a perfect murder undone by a stuck lift, shot in night-time Paris and scored by Miles Davis, who improvised to the images. Its star was Jeanne Moreau, whom the film made famous. The same year he directed her again in The Lovers, whose frank treatment of an affair made it a scandal and, in the United States, the subject of a Supreme Court obscenity ruling.
Malle reached his debut a year before Truffaut and Godard reached theirs, working the same streets with the same lightness, and is often placed at the edge of the New Wave. He kept his distance from its criticism-first doctrine, and his films — Zazie dans le métro (1960), the desolate Le Feu Follet (1963) — showed a range the movement's labels did not fit.
Through the 1970s and 1980s Malle made some of his strongest French work: Murmur of the Heart (1971), Lacombe Lucien (1974), which followed a boy drifting into the wartime collaboration and earned his first Oscar nomination, and Au revoir les enfants (1987). The last drew on his own boyhood — a Jewish classmate hidden at his Catholic boarding school under the Occupation, and the arrest that followed — and won the Golden Lion at Venice and three César Awards.
From the late 1970s Malle also worked in the United States, directing Pretty Baby (1978), Atlantic City (1980), and the single-conversation film My Dinner with Andre (1981). He married the actress Candice Bergen in 1980. He died of lymphoma in Beverly Hills on 23 November 1995, at sixty-three.
Born on 30 October in Thumeries, in the north of France, to a wealthy industrialist family.
Co-directs The Silent World with Jacques Cousteau; it wins the Palme d'Or and an Academy Award.
Directs Elevator to the Gallows and The Lovers, both with Jeanne Moreau, at twenty-four.
Zazie dans le métro.
Le Feu Follet.
Lacombe Lucien earns his first Academy Award nomination.
Atlantic City; marries the actress Candice Bergen.
Au revoir les enfants wins the Golden Lion at Venice and three César Awards.
Dies of lymphoma in Beverly Hills on 23 November, at sixty-three.
Collaborated with · 1958
Malle directed Moreau in Elevator to the Gallows and The Lovers, both 1958 — the two films that made her a screen star at thirty.

Film movement · c. 1958–1968
A contemporary at the movement's edge rather than a Cahiers du cinéma member. Malle reached his debut a year before Truffaut and Godard, shared the New Wave's freedom and Paris locations, and launched Jeanne Moreau — but kept apart from its criticism-first programme, and his films never settled into one manner.
A French film director, born in 1932, who launched Jeanne Moreau's screen career with Elevator to the Gallows (1958) and made films in both France and the United States across four decades, from Le Feu Follet to Au revoir les enfants and Atlantic City. He died in 1995.
He is usually counted a contemporary rather than a member. Malle reached his debut a year before Truffaut and Godard and shared the movement's freedom and locations, but he kept apart from the Cahiers du cinéma programme and his films never followed a single style.
Two stand out: Elevator to the Gallows (1958), his debut with Jeanne Moreau and a Miles Davis score, and Au revoir les enfants (1987), the autobiographical film about a Jewish boy hidden at a Catholic school under the Occupation, which won the Golden Lion at Venice.
Yes. From the late 1970s he directed several American films, including Pretty Baby (1978), Atlantic City (1980), and My Dinner with Andre (1981), and married the actress Candice Bergen in 1980.
As a documentarian. His first major credit was co-directing the underwater film The Silent World (1956) with Jacques Cousteau, which won the Palme d'Or and an Academy Award, before he turned to fiction with Elevator to the Gallows.
Associated with · 1958
A contemporary at the movement's edge rather than a Cahiers du cinéma member. Malle reached his debut a year before Truffaut and Godard, shared the New Wave's freedom and Paris locations, and launched Jeanne Moreau — but kept apart from its criticism-first programme, and his films never settled into one manner.
Collaborated with · 1958
Malle directed Moreau in Elevator to the Gallows and The Lovers, both 1958 — the two films that made her a screen star at thirty.