
Berthe Morisot
One of the Morisot family's homes on what was then the rue Franklin, in Passy, during the years when Berthe and Edma Morisot were training as painters.
One of the Morisot family's Passy addresses during the years when Berthe and Edma Morisot were training as painters, a few doors from the house where their garden studio was built.

The Morisot family lived at more than one address on this short Passy street, and this was one of them during the period when Berthe Morisot and her sister Edma were serving what amounted to an apprenticeship — copying, taking lessons, and working outdoors under Camille Corot, who taught them both.
Passy in this period was still slightly outside the city proper in feeling: quieter, greener and more respectable than the quarters where the male painters of the same generation were living. Morisot's Paris is a different Paris from Manet's or Degas's, and the difference shows in the work, which is largely made of gardens, interiors, women and children — the world she was actually permitted to move through.
The building is private, and the street, then the rue Franklin, is now the rue Benjamin-Franklin.
The Morisot family lives on the rue Franklin while the sisters train as painters.
The family lived at more than one house on the rue Franklin, now the rue Benjamin-Franklin. The studio built in the garden for Berthe and Edma was at number 16.
Camille Corot was her most important teacher, and she also trained by copying in the Louvre, where she met Édouard Manet in 1868.

One of the Morisot family's homes on what was then the rue Franklin, in Passy, during the years when Berthe and Edma Morisot were training as painters.

The Morisot family house in Passy where a studio was built in the garden for Berthe and her sister Edma — an unusually serious commitment to two daughters' painting for a bourgeois family of the 1860s.
Visit the place
The small, wealthy cemetery beside the Trocadéro where Édouard Manet is buried in the family tomb — together with his brother Eugène and Eugène's wife, the painter Berthe Morisot.
Visit the place
The Passy house with a large studio window that Marc Chagall took in the 1930s — twenty years and a world away from the unheated rotunda at La Ruche.
Visit the place
The great park below the Eiffel Tower, and the site of the 1889 Exposition Universelle — where Claude Debussy heard Javanese gamelan for the first time and never entirely got over it.
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The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.