Djuna Barnes
Frequented by · 1925
Berenice Abbott photographed Barnes in 1925 while working in Man Ray's studio at this address, which places Barnes in the building as a sitter. The Metropolitan Museum holds a print of the portrait.
Man Ray's studio, 31 bis rue Campagne-Première
Still standing
Outside only
Someone else
Man Ray's Montparnasse studio, where Berenice Abbott was working as his darkroom assistant in 1925 when she photographed Djuna Barnes.
- 31 bis rue Campagne-Première, 75014 Paris
- Man Ray's Paris studio in the 1920s
The place, briefly
Man Ray's Paris studio on the rue Campagne-Première is one of the addresses through which most of Montparnasse passed in the 1920s. He photographed nearly everyone, and the studio doubled as a workplace for assistants who went on to matter in their own right.
Berenice Abbott was one of them. She arrived in Paris as a sculptor, took a job in Man Ray's darkroom, discovered she was better at photography than he had bargained for, and set up on her own. In 1925, while working here, she photographed Djuna Barnes — one of the portraits by which Barnes is still recognised. The Metropolitan Museum holds a print.
Abbott's portraits of the expatriate circle are among the best visual records of that Paris. She later returned to New York and spent years documenting the changing city, but the working method started in this building.
The street is worth walking for its own sake: it was built up with purpose-designed artists' studios, and the buildings still show it. This one is private.
Key facts
- Man Ray, through the 1920s
- Worked here as his darkroom assistant before going independent
- Photographed by Abbott in 1925; a print is at the Metropolitan Museum
- Built up with purpose-designed artists' studios
- Private — exterior only
Timeline
Berenice Abbott photographs Djuna Barnes while working in Man Ray's studio.
On the map
Questions before you go
Who photographed Djuna Barnes in 1925?
Berenice Abbott, while she was working as Man Ray's darkroom assistant at his studio on the rue Campagne-Première. The Metropolitan Museum holds a print of the portrait.
Can you visit Man Ray's studio?
No — the building is private. The street itself, built for artists, is worth walking.
Writers who knew this place
Within walking distance
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70 bis Rue Notre-Dame-des-Champs
Ezra Pound's courtyard studio — the workshop of modernism's impresario during his Paris years, a few doors down the street from Ernest Hemingway's later flat above the sawmill.
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113 Rue Notre-Dame-des-Champs
Ernest Hemingway's second flat, above a working sawmill — where the journalism stopped, The Sun Also Rises was finished, and the first marriage ended.
Visit the placeMontparnasse Cemetery
The second-largest cemetery inside Paris — nineteen flat, gridded hectares south of the boulevard du Montparnasse, holding the graves of Charles Baudelaire, Samuel Beckett, Jean-Paul Sartre and Simone de Beauvoir, Serge Gainsbourg, Man Ray, Guy de Maupassant, Constantin Brancusi and Marguerite Duras.
Visit the placeThe Friday Letter
Paris, one address at a time.
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.