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Restaurant · Saint-Germain-des-Prés · 6e arrondissement

Michaud's

The buildingStill standing
Getting inIn, as a customer
What's there nowLe Comptoir des Saints-Pères

Michaud's is long gone, but the corner premises passed to Le Comptoir des Saints-Pères, which still operates there. The restaurant is a different one; the corner and the windows are the same.

The smart restaurant of the quarter — where the hungry Hemingways watched the Joyce family dine, and where F. Scott Fitzgerald asked the question answered in 'A Matter of Measurements.'

Address
29 Rue des Saints-Pères (corner of Rue Jacob), 75006 Paris
Artistic reconstructionMichaud's corner façade in warm evening light, red awning and gilded lettering over the terrace tables

The smart corner of the rue Jacob, from the better side of the glass.

Artistic reconstruction

The place, briefly

Michaud's stood on the corner of the rue Jacob and the rue des Saints-Pères, and for the Americans of the quarter it marked a very precise line: the restaurant you ate at when there was money, and looked into when there wasn't. A Moveable Feast uses it both ways. In the hunger chapters, Ernest and Hadley stand on the pavement watching James Joyce and his family at their table inside — the whole clan reading menus and speaking Italian — the era's most quietly devastating image of who could afford dinner. When luck ran good, a win at the races meant the same table from the other side of the glass.

The restaurant's second claim on literary history is the lunch behind the chapter called 'A Matter of Measurements.' Fitzgerald, shaken by a cruelty of Zelda's, confided his anxiety to Hemingway over the meal; Hemingway walked him to the toilettes, conducted his inspection, and delivered the reassurance — seconded by an appeal to the statues in the Louvre — that has been quoted in every memoir of the era since. Whether the scene happened quite as written is a question scholars enjoy; that Hemingway set it at Michaud's tells you what the room meant.

Michaud's itself did not survive mid-century. The corner premises passed to Le Comptoir des Saints-Pères, which still operates there and is happy to tell you what used to be served under the old name. The window you can be watched through, however, is original equipment.

Key facts

What it was
The fashionable restaurant of the rue Jacob corner
Neighborhood
Saint-Germain-des-Prés, at rue Jacob and rue des Saints-Pères
The famous table
James Joyce and family, dining nightly while others watched
The famous lunch
Fitzgerald's confidence and Hemingway's reassurance, 'A Matter of Measurements'
Today
Closed — Le Comptoir des Saints-Pères occupies the corner
The corner restaurant — the window the hungry watched through.Editorial illustration
The smart corner of the rue Jacob, from the better side of the glass.Artistic reconstruction

Timeline

  1. 1920s

    The Joyce family's regular table; the hungry watch from the pavement in Hemingway's A Moveable Feast.

  2. 1920s

    Racing winnings get celebrated here — the same window, better side.

  3. c. 1931

    The Fitzgerald lunch behind 'A Matter of Measurements' — dated later by scholars, placed here by Hemingway.

  4. Mid-century

    Michaud's closes; Le Comptoir des Saints-Pères takes the corner.

  5. Today

    The successor restaurant still serves on the corner; the window remains.

On the map

Related books

Cover of A Moveable Feast by Ernest Hemingway

Recalled in the memoir

A Moveable Feast

Ernest Hemingway · 1964

The restaurant where the Hemingways watched the Joyce family dine when they couldn't afford to, and the scene of the infamous “A Matter of Measurements” lunch with Fitzgerald.

Writers who knew this place

Illustrated portrait of Ernest Hemingway

Ernest Hemingway

American · Author of The Sun Also Rises and A Moveable Feast; his pared-down style, developed in 1920s Paris, became the most imitated in American prose.

Frequented by

Where the Hemingways watched the Joyce family dine when they couldn't afford to themselves.

Ernest Hemingway, A Moveable Feast (1964)

Within walking distance

The Friday Letter

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The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.

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