
Marc Chagall
Madeleine Castaing's shop and salon on the rue du Cherche-Midi belonged to the interwar collecting world Chagall moved in. Her painter was Chaim Soutine, who had been his neighbour at La Ruche.
The shop and salon of Madeleine Castaing, the decorator and collector who kept Chaïm Soutine alive on a stipend and whose rooms Marc Chagall passed through in the interwar years.
Madeleine Castaing was a decorator whose interiors — leopard-print carpet, blue-green walls, Napoleon III furniture used without irony — became one of the most imitated looks of the twentieth century. She was also a serious collector and patron, and her shop on the rue du Cherche-Midi functioned as a salon.
Her central relationship was with Chaïm Soutine. She and her husband Marcellin supported him for years, took him into their house in the country, and assembled the largest private group of his paintings. Soutine had been Marc Chagall's neighbour a decade earlier at La Ruche, and the two men's circles kept overlapping.
Chagall belonged to that world in the interwar years — the collectors, the dealers, the decorators with money and taste who were buying the work of the École de Paris while the official institutions were still ignoring it.
The shop has gone. The rue du Cherche-Midi is still a street of antique dealers, which is a kind of continuity.
The Castaing shop and salon operate on the rue du Cherche-Midi.
Soutine dies; the Castaing collection of his work is the largest in private hands.
A decorator, collector and patron whose Left Bank shop doubled as a salon. She and her husband supported Chaïm Soutine for years and owned the largest private collection of his paintings.

Madeleine Castaing's shop and salon on the rue du Cherche-Midi belonged to the interwar collecting world Chagall moved in. Her painter was Chaim Soutine, who had been his neighbour at La Ruche.

The restaurant-above, bar-below house on the rue du Cherche-Midi that became the centre of gay Paris in the 1950s, and one of two bars named as models for Guillaume's bar in Giovanni's Room.
Visit the placeA small theatre at 38 boulevard Raspail, founded by Jean-Marie Serreau in 1952 and gone within a few years. On 5 January 1953 it staged the first performance of Samuel Beckett's En attendant Godot, directed by Roger Blin — the night modern theatre changed.
Visit the placeChristian Zervos's hybrid of art magazine, publishing house and gallery on the rue du Dragon, where Kandinsky showed watercolours in 1935 — and where the Picasso catalogue raisonné was compiled.
Visit the placeThe café on the place Saint-Sulpice that appears in the Paris geography of Djuna Barnes's Nightwood — and which is still, unremarkably, a café.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.