
Mentioned in passing
Tropic of Cancer
Crossed mid-stride in the novel's walking prose — the garden as route between the two banks of Miller's Paris.
André Le Nôtre's great axis between the Louvre and the Concorde — the garden every walker in these pages crossed sooner or later, palace or no palace.

The Tuileries is the oldest walking route on our map: Le Nôtre drew its axis for Louis XIV in the 1660s, and Paris has promenaded it ever since. The palace that named it burned with the Commune in 1871 and was never rebuilt, leaving what the era on our shelves inherited — a palace-less royal garden, all gravel, statuary, and chestnut shade, running from the Louvre's arms to the Place de la Concorde.
For the expatriates it was connective tissue: the grand, free, unavoidable crossing between the Right Bank of money and offices and the bridges home to the Left. Miller logs the crossing in Tropic of Cancer in a single walking breath — the garden as verb rather than destination — which is honest to how the era used it. Its neighbors tell the same story: the Crillon at its west gate, the old Gare d'Orsay across the river at its south.
The garden has since collected the Orangerie's water lilies, the Jeu de Paume, and several restorations, but Le Nôtre's geometry — and the walk — are exactly where the era left them.
…walking through the Jardin des Tuileries…
Le Nôtre lays out the garden on the royal axis.
The palace burns in the Commune's last week; the garden carries the name alone.
Miller's generation crosses it as the twenties crowd did — on foot, between banks.
Open end to end; the axis runs unbroken from the Louvre to the Concorde.

Mentioned in passing
Crossed mid-stride in the novel's walking prose — the garden as route between the two banks of Miller's Paris.

Henry Miller wrote about Jardin des Tuileries in Tropic of Cancer.

The 1852 orangery of the Tuileries garden, converted to Monet's specifications and opened in 1927 as the museum of the Water Lilies.
Visit the place
The Beaux-Arts terminus on the Seine where Jake Barnes and Bill Gorton, in Ernest Hemingway's The Sun Also Rises, board the morning train south toward Spain — today the Musée d'Orsay.
Visit the place
César Ritz's palace on the Place Vendôme — the fixed point of Right Bank luxury, where F. Scott Fitzgerald's bar legend, Tender Is the Night's longest bender, and Ernest Hemingway's two best Ritz stories all check in.
Visit the place
A 25-seat cocktail bar at the rue Cambon end of the Ritz Paris, opened under Ernest Hemingway's name in 1994 in the former Le Petit Bar.
Visit the placeThe Friday Letter
The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.