
Leonor Fini
Worked here
Fini designed for Roland Petit's Les Demoiselles de la nuit at the Théâtre Marigny during her postwar stage-design career.
In late November 1906 Colette appeared at the Théâtre Marigny as Paniska in Pan, a verse play by the Belgian poet Charles Van Lerberghe, in performances on the 28th, 29th and 30th. It fell between her run at the Olympia and the Moulin Rouge engagement that would end in scandal a few weeks later — part of the same short, intense period as a working performer.
The theatre stands in the gardens near the foot of the Champs-Élysées. Its present building dates from 1894, when Édouard Niermans converted an earlier panorama rotunda designed by Charles Garnier into a playhouse. It is still in use.
The panorama rotunda near the Champs-Élysées is converted into the Théâtre Marigny.
Colette plays Paniska in Pan, 28–30 November.

Worked here
Fini designed for Roland Petit's Les Demoiselles de la nuit at the Théâtre Marigny during her postwar stage-design career.

Performed here · 1906
Colette played Paniska in Charles Van Lerberghe's Pan at the Théâtre Marigny, 28–30 November 1906.

The surviving mansion that housed the American Library in Paris from 1920 to 1936—a center of transatlantic reading and literary life where Langston Hughes unsuccessfully asked for work.
Visit the place
The glass-vaulted exhibition hall on the Champs-Élysées, built for the World's Fair of 1900 and used ever since for the shows Paris wants to hold under one roof — art retrospectives, fashion collections, commissioned sculpture, and the fencing at the 2024 Olympic Games.
Visit the place
The gardens along the lower Champs-Élysées, between the Rond-Point and the Concorde — where the young Marcel Proust played, and where in July 1886 he met Marie de Bénardaky, his first love and a source for Gilberte in In Search of Lost Time. One of the paths is now officially the Allée Marcel-Proust.
Visit the place
The vast iron-and-glass exhibition hall on the Champs-Élysées that housed the annual Salon — and, in 1863, the Salon des Refusés, where Manet's Déjeuner sur l'herbe was hung and mocked. It was demolished to make way for the Grand Palais.
Visit the placeThe sources below include histories, archival materials, scholarly research, and official records that informed this page. They document Théâtre Marigny, the people connected to it, and its place in Paris.

Web source consulted for documented facts and historical context presented on the Théâtre Marigny page.
Web source consulted for documented facts and historical context presented on the Théâtre Marigny page.
The theatre's own history of the house: Charles Garnier's panorama of 1883 turned into a rotunda theatre by Édouard Niermans in 1894.
Map data used to verify addresses, geographic coordinates, and the placement associated with Théâtre Marigny.
These references provide the documented foundation for this page's history and context. Claim-level citations remain attached to the specific claims they support.
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The cafés, studios, and walk-up flats where the work was made — one story from the map in every letter.