Henri Cartier-Bresson
- Photographer
- Filmmaker
- Painter
Collaborated with · 1933
Cartier-Bresson traveled through Europe with Fini and André Pieyre de Mandiargues and photographed her repeatedly during the early 1930s.
Leonor Fini was born in Buenos Aires and raised in Trieste. She educated herself by looking closely at Renaissance and Mannerist painting, then moved to Milan in 1925 and entered a circle that included Giorgio de Chirico's brother Alberto Savinio and other Italian Magical Realists.
Fini moved to Paris in 1931. She became friendly with artists and writers around Surrealism but did not accept André Breton's authority or formal membership in the group. Her paintings developed their own population of sphinxes, ceremonial figures, sleeping men, and commanding women.
She exhibited at Galerie Bonjean in Paris in 1937. Photographers in the same circle repeatedly made her portrait: Man Ray photographed Fini through the later 1930s, and Dora Maar photographed her in 1936. Those images became part of Fini's carefully constructed public identity.
After the war, Fini designed sets and costumes for theater and opera, including productions at the Opéra Garnier in Paris and La Scala in Milan. She also illustrated books and designed masks and costumes for the elaborate balls that were part of her social world.
Writing occupied more of her later years, including fiction and books about cats. She continued painting without joining a single movement and died near Paris in 1996.
Born in Buenos Aires and raised in Trieste.
Moves to Milan and enters its Magical Realist artistic circle.
Moves to Paris and becomes associated with artists around Surrealism.
Holds her first Paris exhibition at Galerie Bonjean.
Designs sets and costumes for stage productions in Paris and Milan.
Dies in Aubervilliers, outside Paris.
Collaborated with · 1933
Cartier-Bresson traveled through Europe with Fini and André Pieyre de Mandiargues and photographed her repeatedly during the early 1930s.
Met · 1930
Fini met Max Ernst before settling in Paris and became part of the artistic circle around Surrealism without formally joining Breton's group.
Sat for a portrait by · 1935
Man Ray photographed Fini repeatedly in Paris during the later 1930s. Centre Pompidou holds and records several of the portraits.
Collaborated with · 1933
Cartier-Bresson traveled through Europe with Fini and André Pieyre de Mandiargues and photographed her repeatedly during the early 1930s.
Met · 1930
Fini met Max Ernst before settling in Paris and became part of the artistic circle around Surrealism without formally joining Breton's group.
Worked at
Fini designed sets and costumes for stage productions at the Palais Garnier as part of her postwar work for opera and theatre.
Sat for a portrait by · 1935
Man Ray photographed Fini repeatedly in Paris during the later 1930s. Centre Pompidou holds and records several of the portraits.
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Web source consulted for documented facts and historical context presented on the Leonor Fini page.
Web source consulted for documented facts and historical context presented on the Leonor Fini page.
Web source consulted for documented facts and historical context presented on the Leonor Fini page.
Official record used to verify names, dates, institutional details, or other factual information on this page.
These references anchor the page in the documented record and in the scholarly conversations around Leonor Fini. Every claim on this page traces back to one or more of the works listed here.