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Cover of Auletris by Anaïs Nin

Auletris

by Anaïs Nin

The trunk's last surprise: collector-era erotica thought lost for seventy years, recovered and published in 2016.

Published
2016Posthumous
Shelf rating
3.0

About Anaïs Nin

Illustrated portrait of Anaïs Nin
Anaïs Nin

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The story, briefly

Spoiler-free

Four decades after Delta of Venus, the dollar-a-page commission produced one more book. Auletris gathers two long pieces from the 1940s erotica — 'Life in Provincetown' and 'Marcel' — that survived outside the trunk, in a rare carbon typescript descended from the collector's copies. Published in 2016 by Sky Blue Press, edited by the Nin scholar Paul Herron, it is the latest and strangest chapter in the strangest publishing story of her career: work written anonymously for one reader in 1940s New York, reaching the public seventy years on. (Stories — nothing here to spoil.)

The story, in more detail

The commission's history explains the gap. What Nin wrote for the collector went out as typescripts; what she kept became Delta of Venus and Little Birds after her death. But not everything came home. Auletris preserves material that survived in a separately made carbon — a copy bearing the title 'Auletris' (Greek: a female flute player) — which passed through collectors' hands for decades before scholarship caught up with it. 'Marcel' partially overlaps text Delta of Venus printed; 'Life in Provincetown' was essentially unknown.

Publication came from inside the Nin world: Sky Blue Press, the small house devoted to her work, with Paul Herron — editor of the unexpurgated diary volumes — establishing the text and the provenance. For readers, the interest is double: more of the forties erotica in its unretouched register, and a case study in how a scattered, half-anonymous body of work keeps yielding finds a lifetime after it was written.

What's inside

Two long pieces from the 1940s commission. 'Life in Provincetown' turns the Cape Cod art colony Nin knew from wartime summers into a linked erotic portrait of a town — painters, fishermen, models, and visitors circling one another through the season. 'Marcel' — a version of which partially appeared in Delta of Venus — follows its title character and the narrator through the commission's more Parisian register. Both run in the mode the collector paid for and Nin subverted: explicit by assignment, psychological by instinct.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The carbon that survived

Herron's introduction presents recovery as a problem of evidence, not simply a lost masterpiece returning intact. A numbered carbon copy and an auction inquiry unsettle the earlier assumption that the published collections had exhausted the usable material. Yet the surviving object does not supply every missing link in its journey. This distinction matters when reading Auletris: its difference from the familiar collections includes the history of selection and transmission, so apparent roughness need not be mistaken for the shape Nin would have chosen for public publication.

A rare carbon typescript passes from private hands into the patient work of identification and editing, allowing two commission-era pieces to reach readers seventy years later. An imagined reconstruction. (Illustration — The Paris Atlas)

A wartime summer in Provincetown

Laura Frost's reading of Life in Provincetown draws attention to the thin wall separating a listener from the woman next door. The barrier makes the coastal setting more than picturesque scenery: it turns proximity into incomplete knowledge. Sounds provoke the neighbor's imagination, while shifts of viewpoint make readers aware of who is interpreting whom. Frost also cautions against treating the story's freedoms as uncomplicated liberation. Its later representations of violence disturb that promise, making the apparent openness of the artists' colony a starting point for scrutiny rather than a guarantee of sympathy.

Painters, fishermen, models and visitors circulate through the Cape Cod art colony that becomes the setting of ‘Life in Provincetown.’ A literary-scene reconstruction. (Illustration — The Paris Atlas)

Why we recommend it

  1. The find itself

    A genuine literary recovery: commission-era Nin surviving outside the famous trunk.

  2. Provincetown, unbuttoned

    The wartime Cape colony the diary sketches politely gets the collector's-commission treatment.

  3. The story about the story

    Herron's editorial account of the carbon's journey is half the book's fascination.

What this book explores

Timeline

  1. circa 1940–1945

    The pieces are written in the dollar-a-page commission for the anonymous collector.

  2. 2016

    Sky Blue Press publishes the recovered typescript, edited by Paul Herron.

  3. 2017

    Publisher Paul Herron discusses the recovery and publication of the previously uncollected erotica in an interview with Foreword Reviews.

Book editions

Paperback
Paperback
Sky Blue Press
2016
First edition — edited from the surviving carbon typescript by Paul Herron

Reader reviews

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Auletris: frequently asked questions

What is Auletris?

A 2016 collection of Anaïs Nin's 1940s collector-commissioned erotica — two long pieces, 'Life in Provincetown' and 'Marcel', recovered from a carbon typescript that survived outside the manuscripts behind Delta of Venus and Little Birds.

Why did it appear only in 2016?

The typescript went out to the collector in the 1940s and survived in private hands for decades; Sky Blue Press published it once the text and provenance were established by the Nin scholar Paul Herron.

Is the material new?

Mostly. 'Life in Provincetown' was essentially unknown; a version of 'Marcel' partially overlaps text that appeared in Delta of Venus.

What does the title mean?

An auletris was a female flute player of the ancient Greek symposium — the title carried by the surviving carbon copy.

Should I start with it?

No — read Delta of Venus and Little Birds first. Auletris is for readers who want the rest of the commission and the recovery story around it.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Auletris, its publication, and its place in literary history.

  1. 1Auletris

    Novel
    Anaïs Nin, 2016
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2Anaïs Nin — biography

    Website
    The Anaïs Nin Foundation
    Used for

    Used to verify Auletris's bibliographic context and its place within Anaïs Nin's published work.

    View source
  3. 3Anaïs Nin Papers — diary, March–September 1938

    Archive
    UCLA Library Special Collections
    Used for

    Used for independent archival, institutional, or historical context surrounding Anaïs Nin and Auletris.

    View source
  4. 4Anaïs Nin: A Biography

    Biography
    G. P. Putnam's Sons, 1995
    Used for

    Used to cross-check chronology, publication history, and the circumstances in which Auletris appeared.

  1. 5Anaïs: The Erotic Life of Anaïs Nin

    Biography
    Little, Brown, 1993
    Used for

    Used for an additional scholarly or biographical perspective on Auletris and Anaïs Nin's wider career.

  2. 6Foreword Reviews — interview with Paul Herron

    Website
    Used for

    Web source consulted for documented facts and historical context presented on the Auletris page.

    View source
  3. 7Introduction to Auletris — public preview in A Café in Space, Volume 14

    Website
    Sky Blue Press / Everand, 2017
    Used for

    Uses the publicly displayed opening of Herron's introduction for the carbon copies, editorial selection and auction inquiry, without claiming a complete provenance or manuscript collation.

    View source
  4. 8Third-Rail Erotica — Auletris

    Website
    Los Angeles Review of Books, 2016
    Used for

    Attributes the reading of narrative barriers and violence to Frost's critical account and quoted passages; no complete story or collection was collated.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

Explore more resources