
Delta of Venus
The commission's famous first harvest — and the book 'Marcel' partially overlaps.
Read our take
by Anaïs Nin
The trunk's last surprise: collector-era erotica thought lost for seventy years, recovered and published in 2016.
Four decades after Delta of Venus, the dollar-a-page commission produced one more book. Auletris gathers two long pieces from the 1940s erotica — 'Life in Provincetown' and 'Marcel' — that survived outside the trunk, in a rare carbon typescript descended from the collector's copies. Published in 2016 by Sky Blue Press, edited by the Nin scholar Paul Herron, it is the latest and strangest chapter in the strangest publishing story of her career: work written anonymously for one reader in 1940s New York, reaching the public seventy years on. (Stories — nothing here to spoil.)
The commission's history explains the gap. What Nin wrote for the collector went out as typescripts; what she kept became Delta of Venus and Little Birds after her death. But not everything came home. Auletris preserves material that survived in a separately made carbon — a copy bearing the title 'Auletris' (Greek: a female flute player) — which passed through collectors' hands for decades before scholarship caught up with it. 'Marcel' partially overlaps text Delta of Venus printed; 'Life in Provincetown' was essentially unknown.
Publication came from inside the Nin world: Sky Blue Press, the small house devoted to her work, with Paul Herron — editor of the unexpurgated diary volumes — establishing the text and the provenance. For readers, the interest is double: more of the forties erotica in its unretouched register, and a case study in how a scattered, half-anonymous body of work keeps yielding finds a lifetime after it was written.
Two long pieces from the 1940s commission. 'Life in Provincetown' turns the Cape Cod art colony Nin knew from wartime summers into a linked erotic portrait of a town — painters, fishermen, models, and visitors circling one another through the season. 'Marcel' — a version of which partially appeared in Delta of Venus — follows its title character and the narrator through the commission's more Parisian register. Both run in the mode the collector paid for and Nin subverted: explicit by assignment, psychological by instinct.
Herron's introduction presents recovery as a problem of evidence, not simply a lost masterpiece returning intact. A numbered carbon copy and an auction inquiry unsettle the earlier assumption that the published collections had exhausted the usable material. Yet the surviving object does not supply every missing link in its journey. This distinction matters when reading Auletris: its difference from the familiar collections includes the history of selection and transmission, so apparent roughness need not be mistaken for the shape Nin would have chosen for public publication.
Laura Frost's reading of Life in Provincetown draws attention to the thin wall separating a listener from the woman next door. The barrier makes the coastal setting more than picturesque scenery: it turns proximity into incomplete knowledge. Sounds provoke the neighbor's imagination, while shifts of viewpoint make readers aware of who is interpreting whom. Frost also cautions against treating the story's freedoms as uncomplicated liberation. Its later representations of violence disturb that promise, making the apparent openness of the artists' colony a starting point for scrutiny rather than a guarantee of sympathy.
A genuine literary recovery: commission-era Nin surviving outside the famous trunk.
The wartime Cape colony the diary sketches politely gets the collector's-commission treatment.
Herron's editorial account of the carbon's journey is half the book's fascination.
circa 1940–1945
The pieces are written in the dollar-a-page commission for the anonymous collector.
2016
Sky Blue Press publishes the recovered typescript, edited by Paul Herron.
2017
Publisher Paul Herron discusses the recovery and publication of the previously uncollected erotica in an interview with Foreword Reviews.

The commission's famous first harvest — and the book 'Marcel' partially overlaps.
Read our take
The second collection from the trunk; Auletris is the material that escaped it.
Read our take
The wartime diary recording the collector years these pages come from.
Read our takeA 2016 collection of Anaïs Nin's 1940s collector-commissioned erotica — two long pieces, 'Life in Provincetown' and 'Marcel', recovered from a carbon typescript that survived outside the manuscripts behind Delta of Venus and Little Birds.
The typescript went out to the collector in the 1940s and survived in private hands for decades; Sky Blue Press published it once the text and provenance were established by the Nin scholar Paul Herron.
Mostly. 'Life in Provincetown' was essentially unknown; a version of 'Marcel' partially overlaps text that appeared in Delta of Venus.
An auletris was a female flute player of the ancient Greek symposium — the title carried by the surviving carbon copy.
No — read Delta of Venus and Little Birds first. Auletris is for readers who want the rest of the commission and the recovery story around it.
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The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.
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Web source consulted for documented facts and historical context presented on the Auletris page.
Uses the publicly displayed opening of Herron's introduction for the carbon copies, editorial selection and auction inquiry, without claiming a complete provenance or manuscript collation.
Attributes the reading of narrative barriers and violence to Frost's critical account and quoted passages; no complete story or collection was collated.
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