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Cover of Blues for Mister Charlie by James Baldwin

Blues for Mister Charlie

by James Baldwin

James Baldwin's play about the murder of a young Black man in a Southern town and the all-white jury that lets his killer go, written after Emmett Till and dedicated to Medgar Evers.

Published
1964
Pages
144
Shelf rating
4.3

About James Baldwin

Illustrated portrait of James Baldwin
James Baldwin

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The story, briefly

Spoiler-free

A three-act play, staged on Broadway in 1964 and published by Dial Press the same year. Richard Henry, a young Black musician, comes home from the North to the Southern town where his father Meridian is a minister. Lyle Britten, a white storekeeper, shoots him. The third act is the trial. Baldwin took the case from the 1955 murder of Emmett Till in Mississippi, and dedicated the play to Medgar Evers, who had been assassinated the year before.

The story, in more detail

The setting is a fictional town Baldwin calls Plaguetown, U.S.A., and the stage is split down the middle into Whitetown and Blacktown with the aisle of Meridian's church running between them. Characters cross the line and the audience is meant to notice each time.

Richard is not written as a martyr. He comes back from New York having used drugs, he is contemptuous of the town's arrangements, he carries a gun and talks about white women in front of people who beg him not to. His father takes the gun away. He is killed unarmed, and the play's structure makes you wait through the whole trial before it shows you exactly how.

Parnell James, the white newspaper editor, is the character Baldwin worked hardest on. He is a friend of Meridian's and a friend of Lyle's, he is the only white man in town who will say the killing was a killing, and his testimony still does not stop the acquittal.

"Mister Charlie" is Black vernacular for a white man. The title says whose blues the play is, and it is not the obvious answer.

Why we recommend it

  1. The trial act

    An hour of testimony in which everyone lies in a slightly different way, ending in an acquittal the audience has known was coming since the first scene. It is the best-built thing Baldwin wrote for the stage.

  2. Richard is a difficult victim on purpose

    Baldwin refused to write a boy whose innocence would make the verdict obviously wrong. Richard is arrogant, damaged and provoking, and the play asks whether that changes anything.

  3. It is the essays with the argument taken out of his hands

    In the essays Baldwin controls every sentence. Here six characters get to answer him, including two who are meant to be hard to dismiss.

What this book explores

Real people in this book

The real people this book portrays, dedicates itself to, or draws from — every connection carries its source.

Illustrated portrait of Medgar Evers

Medgar Evers

  • Activist

Dedicated to

The published play is dedicated to the memory of Evers, assassinated in Jackson in June 1963, to his widow and children, and to the children killed in the Birmingham church bombing that September.

James Baldwin, Blues for Mister Charlie (1964), Dedication

Emmett Till

Inspired by

Baldwin's preface says the play is based, in his words, "very distantly indeed," on the case of Emmett Till, the fourteen-year-old from Chicago lynched in Mississippi in 1955. The murdered man on stage is Richard Henry, a character — the play fictionalizes the case rather than restaging it, and its printed dedication belongs to Medgar Evers.

James Baldwin, Blues for Mister Charlie (1964), Notes for Blues

Timeline

  1. 1955

    Emmett Till is murdered in Money, Mississippi. His killers are acquitted and later confess in print.

  2. 1963

    Medgar Evers is assassinated in June; four girls are killed in the Birmingham church bombing in September. Baldwin dedicates the play to them.

  3. 1964

    Blues for Mister Charlie opens at the ANTA Playhouse on 23 April, directed by Burgess Meredith for the Actors Studio, and runs to 29 August. Dial Press publishes the text.

  4. 1965

    The production transfers to London and is badly reviewed.

  5. 1995

    Vintage International issues the paperback now standard.

Book editions

Hardcover
Hardcover
The Dial Press
1964
First edition, 158 pages, published in the year of the Broadway run.
Paperback edition cover
Paperback
Vintage International
1995
ISBN-13
9780679761785
The standard edition, 144 pages.

Reader reviews

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Cover of Going to Meet the Man by James Baldwin

Going to Meet the Man

James Baldwin

The title story of that collection puts you inside a white Southern deputy, which is the same experiment as the Lyle scenes here.

Read our take

Blues for Mister Charlie: frequently asked questions

What is Blues for Mister Charlie about?

It is a play by James Baldwin, first staged in 1964, about the murder of Richard Henry, a young Black musician who returns from the North to the Southern town where he grew up. He is shot by Lyle Britten, a white storekeeper, and the third act is the trial, which ends in acquittal by an all-white jury. Both men are fictional.

Is Blues for Mister Charlie based on Emmett Till?

Yes, loosely. Emmett Till was fourteen when he was murdered in Money, Mississippi, in 1955, and the two men tried for it were acquitted. Baldwin moved the case to a fictional town he calls Plaguetown, made the victim a grown man with a history of his own, and invented the trial. The acquittal is the part he kept.

Who is Mister Charlie?

"Mister Charlie" is Black American slang for a white man. No character in the play has the name. The title means the blues are being played for him.

Who was the play dedicated to?

Medgar Evers, the Mississippi civil rights organiser assassinated in June 1963, along with his widow and children, and the children killed when the 16th Street Baptist Church in Birmingham was bombed that September.

Was it successful on Broadway?

It ran at the ANTA Playhouse from 23 April to 29 August 1964, which is a respectable run for a play of that kind, and the Actors Studio production was well reviewed in New York. The 1965 London transfer was not.

Should I read it or see it?

It reads well — the Vintage edition is 144 pages and the dialogue carries itself. But it was built for a divided stage, with white and Black characters occupying fixed halves of the theatre, and that arrangement does something on stage that a page cannot reproduce.