Medgar Evers
- Activist
Dedicated to
The published play is dedicated to the memory of Evers, assassinated in Jackson in June 1963, to his widow and children, and to the children killed in the Birmingham church bombing that September.

James Baldwin's play about the murder of a young Black man in a Southern town and the all-white jury that lets his killer go, written after Emmett Till and dedicated to Medgar Evers.
A three-act play, staged on Broadway in 1964 and published by Dial Press the same year. Richard Henry, a young Black musician, comes home from the North to the Southern town where his father Meridian is a minister. Lyle Britten, a white storekeeper, shoots him. The third act is the trial. Baldwin took the case from the 1955 murder of Emmett Till in Mississippi, and dedicated the play to Medgar Evers, who had been assassinated the year before.
The setting is a fictional town Baldwin calls Plaguetown, U.S.A., and the stage is split down the middle into Whitetown and Blacktown with the aisle of Meridian's church running between them. Characters cross the line and the audience is meant to notice each time.
Richard is not written as a martyr. He comes back from New York having used drugs, he is contemptuous of the town's arrangements, he carries a gun and talks about white women in front of people who beg him not to. His father takes the gun away. He is killed unarmed, and the play's structure makes you wait through the whole trial before it shows you exactly how.
Parnell James, the white newspaper editor, is the character Baldwin worked hardest on. He is a friend of Meridian's and a friend of Lyle's, he is the only white man in town who will say the killing was a killing, and his testimony still does not stop the acquittal.
"Mister Charlie" is Black vernacular for a white man. The title says whose blues the play is, and it is not the obvious answer.
An hour of testimony in which everyone lies in a slightly different way, ending in an acquittal the audience has known was coming since the first scene. It is the best-built thing Baldwin wrote for the stage.
Baldwin refused to write a boy whose innocence would make the verdict obviously wrong. Richard is arrogant, damaged and provoking, and the play asks whether that changes anything.
In the essays Baldwin controls every sentence. Here six characters get to answer him, including two who are meant to be hard to dismiss.
Dedicated to
The published play is dedicated to the memory of Evers, assassinated in Jackson in June 1963, to his widow and children, and to the children killed in the Birmingham church bombing that September.
Inspired by
Baldwin's preface says the play is based, in his words, "very distantly indeed," on the case of Emmett Till, the fourteen-year-old from Chicago lynched in Mississippi in 1955. The murdered man on stage is Richard Henry, a character — the play fictionalizes the case rather than restaging it, and its printed dedication belongs to Medgar Evers.
1955
Emmett Till is murdered in Money, Mississippi. His killers are acquitted and later confess in print.
1963
Medgar Evers is assassinated in June; four girls are killed in the Birmingham church bombing in September. Baldwin dedicates the play to them.
1964
Blues for Mister Charlie opens at the ANTA Playhouse on 23 April, directed by Burgess Meredith for the Actors Studio, and runs to 29 August. Dial Press publishes the text.
1965
The production transfers to London and is badly reviewed.
1995
Vintage International issues the paperback now standard.


The title story of that collection puts you inside a white Southern deputy, which is the same experiment as the Lyle scenes here.
Read our take
Published the year before, and the book that made Baldwin famous enough for Broadway to take the play.
Read our take
It is a play by James Baldwin, first staged in 1964, about the murder of Richard Henry, a young Black musician who returns from the North to the Southern town where he grew up. He is shot by Lyle Britten, a white storekeeper, and the third act is the trial, which ends in acquittal by an all-white jury. Both men are fictional.
Yes, loosely. Emmett Till was fourteen when he was murdered in Money, Mississippi, in 1955, and the two men tried for it were acquitted. Baldwin moved the case to a fictional town he calls Plaguetown, made the victim a grown man with a history of his own, and invented the trial. The acquittal is the part he kept.
"Mister Charlie" is Black American slang for a white man. No character in the play has the name. The title means the blues are being played for him.
Medgar Evers, the Mississippi civil rights organiser assassinated in June 1963, along with his widow and children, and the children killed when the 16th Street Baptist Church in Birmingham was bombed that September.
It ran at the ANTA Playhouse from 23 April to 29 August 1964, which is a respectable run for a play of that kind, and the Actors Studio production was well reviewed in New York. The 1965 London transfer was not.
It reads well — the Vintage edition is 144 pages and the dialogue carries itself. But it was built for a divided stage, with white and Black characters occupying fixed halves of the theatre, and that arrangement does something on stage that a page cannot reproduce.