It Catches My Heart in Its Hands
Charles Bukowski
It Catches My Heart in Its Hands
The first Loujon book, hand-printed by the same couple two years earlier.
Read our takeCrucifix in a Deathhand
Charles Bukowski
The second Loujon Press book: 3,100 signed copies, hand-made in New Orleans, with artwork by the painter Noel Rockmore.
Crucifix in a Deathhand, published in 1965, was the second of the two Charles Bukowski books hand-made by Jon and Louise Webb's Loujon Press in New Orleans, following It Catches My Heart in Its Hands. It collects new poems from 1963 to 1965 — some of them written in New Orleans itself, during Bukowski's stays with the Webbs while the book was being made. The edition ran to 3,100 signed copies, elaborately produced on varied paper stocks with artwork by the New Orleans painter Noel Rockmore, and was distributed under the imprint of the New York publisher Lyle Stuart. Like its Loujon predecessor it has never been reprinted on its own; its poems are read today through the selected volume Burning in Water, Drowning in Flame.
The two Loujon books mark the only period when Bukowski watched his own books being made. He traveled from Los Angeles to New Orleans and sat in the Webbs' apartment among the drying pages, writing while they printed. The poems of this volume are city poems in a darker register — Los Angeles landscapes, rented rooms, and the dead — and the book's production made it a hybrid object: a signed press book of 3,100 copies carrying a major New York distributor's imprint, which put a hand-made small-press poet into ordinary bookstores.
The other half of the legendary New Orleans printing story — bigger, darker, and signed across the whole edition.
New poems only, written between the post-office years and the Black Sparrow partnership that began three years later.
1963–1965
The poems are written in Los Angeles and New Orleans, several during stays with the Webbs.
1965
Loujon Press publishes 3,100 signed copies, distributed under the Lyle Stuart imprint.
1974
A selection of the poems returns to print in Burning in Water, Drowning in Flame.
It Catches My Heart in Its Hands
Charles Bukowski
The first Loujon book, hand-printed by the same couple two years earlier.
Read our takeBurning in Water, Drowning in Flame
Charles Bukowski
The in-print selected volume that reprints poems from this collection.
Read our takeAt Terror Street and Agony Way
Charles Bukowski
The next collection — the first from Black Sparrow Press, the publisher who kept him for life.
Read our takeA collection of new Charles Bukowski poems from 1963 to 1965, published in 1965 by Loujon Press of New Orleans — the second and last of the hand-made Loujon Bukowski books.
3,100 copies, and Bukowski signed every one. The signed edition was part of the Loujon design: a hand-made press book issued at commercial scale through the New York publisher Lyle Stuart.
A New Orleans painter, known for his portraits of the city's musicians, who provided the artwork for the edition.
Some of them. He stayed with Jon and Louise Webb while they printed the book and wrote alongside the press — several poems date from those visits.
Yes. Burning in Water, Drowning in Flame, the selected volume covering 1955 to 1973, includes a section drawn from this collection and remains in print.
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View authorThe sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Crucifix in a Deathhand, its publication, and its place in literary history.

The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.
Publication year, edition size, the Lyle Stuart imprint, and the Rockmore artwork.
Bibliographic details of the Loujon edition checked against the checklist.
The New Orleans stays with the Webbs and the book's place in the career.
Career arc across the little-magazine and small-press years.
The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.