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Framed portrait of Paul Guillaume in three-quarter view, blue suit and bow tie, cigarette in his left hand, leaning on an open book against a blue-green ground

Artwork reproduction

PaintingThe dealer portraits

Portrait de Paul Guillaume

by André Derain

Derain's 1919 portrait of his dealer Paul Guillaume — elegant, detached, dressed in his favorite blue — painted by the artist whose 31 canvases now form the largest group in the Orangerie's collection.

Created
1919
Medium
Oil on canvas

About André Derain

Illustrated portrait of André Derain
André Derain

2 works catalogued

What the painting shows

Paul Guillaume in three-quarter view, very elegant, gaze turned away — 'impassive and detached,' in the museum's words. The background is built from horizontal strokes of blue; the suit and bow tie are blue 'like his eyes,' and the museum adds that blue was actually the dealer's favorite colour. A nearly extinguished cigarette rests in his left hand as he leans on an open book. The inscription 'Paul Guillaume' sits at the lower right beside the signature 'a derain.'

The museum's notice is candid about the likeness: 'the physical resemblance is not, however, very strong, as the model has misshapen facial features.' It is a portrait of a position — the young dealer as man of letters — more than of a face.

Dealer and painter

André Derain met the young Guillaume through Max Jacob, on Guillaume Apollinaire's advice, and from 1916 the dealer gave him a solo show at the rue de Miromesnil gallery, with catalogue texts by Apollinaire, Cendrars, Jacob, Reverdy, and Divoire. The portrait dates from 1919 — it appeared with that date in a 1920 book by the dealer Kahnweiler — and entered Guillaume's own collection the year it was painted.

The relationship outlasted both men in the plainest way: with 31 canvases, Derain is the largest presence in the Walter-Guillaume collection.

Into the public domain

Derain died in 1954, and his work entered the EU public domain on 1 January 2025; the 1920 Kahnweiler publication anchors its US status. The reproduction here is a photograph of the framed canvas by Francesco Bini, shared on Wikimedia Commons — one of the first fruits of the painter's Public Domain Day.

Close reading

Reading the work, detail by detail

Derain paints Paul Guillaume as a cultivated dealer rather than simply recording his features. The details show the turned gaze, open book, and controlled blue palette constructing a social position.

Close view of Paul Guillaume's face and averted eyes in André Derain's portrait

1.The gaze stays deliberately elsewhere

Guillaume looks away with a reserved expression, denying the direct exchange of a conventional commissioned likeness. Detachment becomes part of the identity the portrait presents.

Close view of Paul Guillaume leaning on an open book while holding a cigarette

2.Book and cigarette stage the dealer as a man of letters

The nearly extinguished cigarette and open pages suggest thought paused rather than action performed. These objects connect art dealing to reading, criticism, and the literary circle around Guillaume.

Close view of the blue suit, bow tie, eyes, and horizontal blue background strokes

3.Blue joins sitter and background

Suit, eyes, and surrounding field repeat Guillaume's favorite color. Horizontal background marks steady the portrait while allowing the dark figure to remain part of one coordinated design.

Close view of Paul Guillaume's blue bow tie and collar

4.The bow tie sharpens the dealer's carefully managed appearance

The compact knot sits beneath the face like a deliberate finishing mark. It reinforces the elegant public identity that matters more here than exact physical resemblance.

Close view of Paul Guillaume holding a cigarette

5.The cigarette introduces a brief, modern gesture

The hand and cigarette break the larger stillness of the seated pose. This small sign of contemporary sociability keeps the portrait from feeling like an inherited aristocratic formula.

Close view of blue-green brushstrokes behind Paul Guillaume

6.Horizontal strokes make the blue background visibly painted

The background does not dissolve into a smooth atmospheric field. Repeated strokes remain legible, giving the sitter's controlled pose an active surface behind it.

Timeline

  1. 1919

    Painted; enters Paul Guillaume's collection the same year. The date is anchored by Kahnweiler's 1920 book.

  2. 1959

    Purchased by the French state from Domenica Walter with the Société des Amis du Louvre.

  3. 2025

    Derain's work enters the EU public domain on 1 January, seventy years after his death.

Where to see it

One of the two oval Water Lilies rooms, curved canvases on both walls under a diffused skylight

Musée de l'Orangerie, Paris

Jardin des Tuileries, Place de la Concorde (Seine side), 75001 Paris, France

Displays and loans can change. Check whether this work is on view before making a special trip.

Plan your visit

Frequently asked questions

Who painted the Portrait de Paul Guillaume at the Orangerie?

André Derain, in 1919. The Orangerie also holds a second portrait of Guillaume, Modigliani's 1915 Novo Pilota; Derain's shows the dealer four years on — established, elegant, and detached.

Why is the portrait so blue?

The museum's notice says the blue suit and bow tie match Guillaume's eyes, and that blue was actually his favorite colour. The background is built from horizontal strokes of the same family.

Is it a good likeness?

The museum itself says no — 'the physical resemblance is not, however, very strong.' The portrait presents the dealer's elegance and standing rather than an exact face.

How did the portrait reach the Orangerie?

It belonged to Paul Guillaume from 1919 and stayed with Domenica Walter until the French state's 1959 purchase, made with the help of the Société des Amis du Louvre.

How large is Derain's portrait of Paul Guillaume?

The oil painting measures 81 by 64 centimetres, or about 31.9 by 25.2 inches. That format leaves room for the open book, cigarette, blue suit, and bow tie that help define Guillaume as a cultivated modern art dealer.

In the atlas

What the graph records about this work — every claim carries its citation.

Depicts

Paul Guillaume

The dealer in three-quarter view, in his favorite blue, leaning on an open book — inscribed 'Paul Guillaume' beside Derain's signature. The museum notes the likeness is not strong.

— Portrait de Paul Guillaume (André Derain) — Musée de l'Orangerie

Displayed at · 1959

Orangerie des Tuileries

In the Walter-Guillaume collection since the state's 1959 purchase. The museum's record lists no current room, so presence in the galleries at any given time is not asserted.

— Portrait de Paul Guillaume (André Derain) — Musée de l'Orangerie

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References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Portrait de Paul Guillaume, its making, and its place in cultural history.

  1. 1Portrait de Paul Guillaume (André Derain) — Musée de l'Orangerie

    Website
    Musée de l'Orangerie
    Used for

    Web source consulted for documented facts and historical context presented on the Portrait de Paul Guillaume page.

    View source
  2. 2André Derain

    Website
    Musée de l'Orangerie
    Used for

    Used to place Portrait de Paul Guillaume within André Derain's documented oeuvre and verify its period, medium, or institutional context.

    View source
  1. 3André Derain — Artist and Collection Record

    Website
    The Museum of Modern Art
    Used for

    Used to cross-check artist chronology and the work's relationship to André Derain's wider practice.

    View source
  2. 4André Derain — Modern Art Index Project

    Website
    The Metropolitan Museum of Art
    Used for

    Used for an additional museum or scholarly perspective on Portrait de Paul Guillaume's history and interpretation.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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