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Fifteen sunflowers with yellow petals and brown seed heads in a yellow vase against a yellow background

Artwork reproduction

PaintingArles

Sunflowers

by Vincent van Gogh

Vincent van Gogh's National Gallery Sunflowers shows fifteen flowers in a vase against a yellow wall. Painted in Arles in August 1888, it was part of his preparations to welcome Paul Gauguin to the Yellow House.

Created
August 1888
Medium
Oil on canvas

About Vincent van Gogh

Illustrated portrait of Vincent van Gogh
Vincent van Gogh

5 works catalogued

The London painting

Vincent van Gogh painted several works called Sunflowers. This is the upright vase painting in the National Gallery, with fifteen flowers and a yellow background. The museum dates it to August 1888.

The seven Arles vase paintings were made in 1888 and 1889. They are distinct from the earlier studies of cut sunflowers made in Paris. A title alone is therefore not enough to identify a particular canvas.

How yellow stays readable

The background, tabletop, vase, and flowers all contain yellow. Van Gogh separates them with differences in brightness, texture, and outline. A narrow blue line marks the table's far edge and continues behind the vase.

Within the bouquet, some flower heads face forward while others bend sideways or droop. Green stems thread between broad brown circles. Those uneven shapes prevent the large arrangement from looking like a symmetrical ornament.

The vase gives the eye a quieter area below the flowers. Its rounded outline and broad bands of color are easier to follow than the small marks across the seed heads.

Flowers for a shared house

Paul Gauguin came to stay with Van Gogh in Arles in October 1888. Van Gogh hoped their work together would help establish a community of artists in the south of France.

The National Gallery records that its Sunflowers and the Munich version hung in Gauguin's guest room. The Bedroom shows another room in the same house, with similarly clear outlines and large areas of color.

Looking beyond a fresh bouquet

Some flowers retain their long petals, while others have exposed seed heads. Their changing condition is part of the subject. The picture offers several stages of growth within a single arrangement, rather than selecting only unblemished blooms.

Close reading

Reading the work, detail by detail

The bouquet contains different surfaces and stages of growth. Compare the small marks in the seed heads with the longer strokes in the petals and stems.

A brown sunflower head at the top of the bouquet

1.The upper flower exposes its seed head

Small raised-looking marks cover the circular head. Green touches remain near its center and edge, breaking up the broad brown area.

A sunflower at the left with long yellow petals and a dark center

2.Petals spread around a dark center

The petals vary in length and angle. Their sharp ends make the flower's outline quite different from the rounded heads above it.

An orange flower center with yellow petals near the middle

3.A flower turns toward the viewer

The round orange center is bordered by green and yellow strokes. Nearby stems pass behind it, helping show which flower sits in front.

A curved green stem ending in a drooping flower at the lower left

4.A small head bends downward

The bent stem reaches away from the main cluster. Its open surroundings make this small flower easier to isolate than the packed heads above.

The blue name Vincent on a yellow vase

5.The signature sits on the vase

The blue signature shares the color of the vase's outline. It is placed among painted objects rather than in an empty corner of the background.

The lower vase and the line between yellow wall and tabletop

6.Blue separates neighboring yellows

A thin blue boundary marks the table's far edge. The vase crosses that line, so a few outlines establish depth within a largely yellow setting.

Timeline

  1. August 1888

    Van Gogh painted the National Gallery Sunflowers in Arles in August 1888.

  2. October 1888

    Paul Gauguin arrived at Van Gogh's Yellow House in Arles in October 1888.

  3. 1924

    In 1924, the National Gallery bought Van Gogh's Sunflowers through the Courtauld Fund.

Where to see it

Collection or location

National Gallery, London

Check the collection’s website for current display and visiting information before planning a visit.

View the collection record

Frequently asked questions

Which Sunflowers is shown here?

This is Van Gogh's August 1888 Sunflowers, owned by the National Gallery as accession NG3863.

How many flowers are in the London painting?

The National Gallery counts fifteen sunflowers, including buds and seed heads.

Is there more than one original Sunflowers?

Van Gogh made seven Arles vase paintings of sunflowers in 1888–89, in addition to earlier sunflower studies.

Why did Van Gogh paint Sunflowers?

Van Gogh made the Arles Sunflowers series in 1888 as decoration for the Yellow House before Gauguin arrived that October.

Can I see this version in Paris?

Van Gogh's August 1888 Sunflowers belongs to the National Gallery. Consult the museum's object record for current display and loan information.

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References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Sunflowers, its making, and its place in cultural history.

  1. 1Sunflowers: public-domain reproduction

    Website
    Wikimedia Commons
    Used for

    The reproduction is the primary visual source for the close-reading details; rights metadata is preserved separately.

    View source
  2. 2Vincent van Gogh (1853–1890)

    Website
    The Metropolitan Museum of Art
    Used for

    Web source consulted for documented facts and historical context presented on the Sunflowers page.

    View source
  1. 3Sunflowers: NG3863

    Website
    National Gallery, London
    Used for

    Web source consulted for documented facts and historical context presented on the Sunflowers page.

    View source
  2. 4Van Gogh's Bedrooms: about the paintings

    Website
    Art Institute of Chicago
    Used for

    The Yellow House and Gauguin's arrival.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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