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A dark cypress above a village beneath a blue swirling sky, bright stars, and a yellow crescent

Artwork reproduction

PaintingSaint-Rémy-de-Provence

The Starry Night

by Vincent van Gogh

Vincent van Gogh painted The Starry Night while living at Saint-Paul-de-Mausole in southern France. Its bright stars, dark cypress, and small village combine observed features with changes made in the studio.

Created
June 1889
Medium
Oil on canvas

About Vincent van Gogh

Illustrated portrait of Vincent van Gogh
Vincent van Gogh

5 works catalogued

A large sky above a small village

The blue area above the village occupies most of Vincent van Gogh's canvas. Rings of yellow and white surround the stars, while long blue strokes curve through the space between them. The village sits low in the picture, with tightly packed roofs and a narrow church steeple.

Look at the difference between the two kinds of marks. Short, straight lines describe the buildings. Sweeping curves fill the blue area above the village and continue along the hills. The dark cypress rises through almost the full height of the painting.

Several windows are lit, but people are too small or too far away to be visible. The enormous lights overhead draw more attention than the signs of life below.

A view rebuilt in the studio

Van Gogh made the painting in June 1889, during his stay at the psychiatric hospital of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. According to MoMA, he worked on the canvas during the day over several sessions.

The view from Van Gogh's room helped supply the subject of The Starry Night, but he altered it. MoMA says he combined several village views, used a Dutch-looking church steeple, and brought the cypress closer.

Compare two ways of painting night

Café Terrace at Night, painted in Arles in 1888, builds its light around a street lamp. In The Starry Night of 1889, the strongest light comes from the stars and moon, and the steep street gives way to a broad band of hills.

The circular marks can suggest motion, but they do not establish a medical explanation for the painting. The visible choices of scale, placement, and brush direction provide firmer ground for understanding how the composition works.

The painting in New York

The painting belongs to the Museum of Modern Art in New York. MoMA acquired it in 1941 through the Lillie P. Bliss Bequest, by exchange. Consult the museum's object record for current display information.

Close reading

Reading the work, detail by detail

Follow the different kinds of marks in the sky, tree, hills, and village. Their direction helps separate parts of the landscape even when the colors are similar.

Dark branches of a tall cypress overlapping the night sky

1.The cypress crosses the horizon

Long dark strokes follow the branches upward. The tree overlaps both the village and the sky, making its position in the foreground clear.

White and blue strokes curling across the central sky

2.A broad curve fills the middle of the sky

Several rows of short strokes follow one large bend. The bright curve remains visible against the darker blue even where no star marks its path.

A yellow crescent surrounded by rings of pale paint

3.The crescent has a wide halo

The crescent occupies a much larger painted area than its thin outline alone. Surrounding yellow-green strokes increase the size of its glow.

White and yellow rings around a bright point near the cypress

4.A pale light beside the tree

The pale rings stand out against the dark branches nearby. Unlike a tiny white dot, the repeated circles give the light weight and texture.

A church steeple and clustered roofs beneath the sky

5.Straight lines describe the roofs

The village relies on angles, rectangles, and short straight strokes. Its compact buildings provide a visible contrast to the broad curves above.

Blue hills bordered by pale strokes above the village

6.The hills repeat the sky's direction

Curved bands run along the slopes. Their lower, horizontal position helps distinguish the hills from the sky's much larger loops.

Timeline

  1. June 1889

    Van Gogh painted The Starry Night at Saint-Rémy-de-Provence in June 1889.

  2. 1941

    In 1941, the Museum of Modern Art acquired The Starry Night through the Lillie P. Bliss Bequest, by exchange.

Where to see it

Collection or location

Museum of Modern Art, New York

Check the collection’s website for current display and visiting information before planning a visit.

View the collection record

Frequently asked questions

Where was The Starry Night painted?

Van Gogh painted The Starry Night at Saint-Paul-de-Mausole near Saint-Rémy-de-Provence in southern France.

Was The Starry Night painted at night?

MoMA describes a painting made during the day in the studio, using observation, memory, and invention.

What is the dark shape on the left?

It is a cypress tree. Its tall branches cross the horizon and overlap the stars.

Is this Starry Night Over the Rhône?

No. Starry Night Over the Rhône is a separate Arles painting from 1888. The Starry Night dates to June 1889.

Where is the original?

The Starry Night is in MoMA's collection in New York as accession 472.1941. Temporary loans may affect its display location.

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References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document The Starry Night, its making, and its place in cultural history.

  1. 1The Starry Night: public-domain reproduction

    Website
    Wikimedia Commons
    Used for

    The reproduction is the primary visual source for the close-reading details; rights metadata is preserved separately.

    View source
  2. 2Vincent van Gogh (1853–1890)

    Website
    The Metropolitan Museum of Art
    Used for

    Web source consulted for documented facts and historical context presented on the The Starry Night page.

    View source
  1. 3The Starry Night: collection record

    Website
    Museum of Modern Art
    Used for

    Web source consulted for documented facts and historical context presented on the The Starry Night page.

    View source
  2. 4Terrace of a café at night: KM 108.565

    Website
    Kröller-Müller Museum
    Used for

    Comparison with the earlier outdoor nocturne.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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