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Cover of The Lowest Trees Have Tops by Martha Gellhorn

The Lowest Trees Have Tops

by Martha Gellhorn

A foreign colony in a Mexican village in 1953, half of it driven out by the Red Scare. Gellhorn lived four years among people like them.

Published
1967
Setting
Mexico
Shelf rating
3.3

About Martha Gellhorn

Illustrated portrait of Martha Gellhorn
Martha Gellhorn

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The story, briefly

Spoiler-free

Set in 1953 in the invented Mexican village of San Ignacio del Tule, the novel follows a small foreign community that has settled there — some of them Communists, some of them mild conservatives, none of them in much danger from each other. Gellhorn spent four years living in Mexico, and called the book a bit of fluff written to amuse herself. It has little plot and a reporter's eye for infidelity and illegitimacy.

The story, in more detail

San Ignacio del Tule is invented. The community in it is not, in the sense that Gellhorn had spent four years living among people like them. The village holds a colony of Westerners — Americans who are there because of what the Red Scare did to them at home, and Europeans who were there first — and much of the novel is about the distance between those two kinds of exile, and the different stories each group tells about why it left.

There is no strong central action, and Gellhorn did not pretend otherwise. What the book has instead is the social life of the settlement: who is sleeping with whom, whose child is whose, which suspicions get aired and which are kept, and the old resentments the colony brought along and did not put down. This record carries no full plot because the novel does not really have one.

Themes and analysis

These readings discuss events throughout the book, including its ending.

A village gathering

Tule’s leisurely conversation has an uneasy social foundation. In the passages Anita Kamala Dalal reproduces, Susanna presents wasted time as the town’s chief product and treats noninterference as a condition of communal life. The joke offers a welcome alternative to competitive ambition: people need not justify every hour by what they produce. Yet Dalal points out that the foreign residents bring money with them and rely on servants. Read with that qualification, the village’s apparent freedom from work raises a question about whose leisure the narrator is describing.

An imagined gathering in San Ignacio del Tule, the Mexican village of The Lowest Trees Have Tops. The illustration interprets the novel's small community and its overlapping social lives. (Illustration — The Paris Atlas)

At the silversmith's bench

Bartolo’s importance extends beyond his romance with Raquel. Dalal’s reading follows how the silversmith intervenes against Mrs. Hatfield’s intimidation when the expatriates cannot protect their own tolerant way of life. In the passage she quotes, he objects to an American visitor behaving as though she controls a Mexican town. His defense of local belonging complicates the foreigners’ international ideal: their freedom depends on someone asserting a national claim they do not share. The community’s openness is therefore something that must be defended, not simply a pleasant effect of its surroundings.

An imagined workbench inspired by the silversmith connected with Raquel's story in The Lowest Trees Have Tops. The tools and setting are interpretive, not a reconstruction of a particular passage. (Illustration — The Paris Atlas)

Why we recommend it

  1. Written from residence, not assignment

    Most of her books come from arriving somewhere. This one comes from staying.

  2. A community rather than a plot

    The book is structurally closer to reportage than to a novel, which is either its problem or its method depending on the reader.

  3. The late fiction

    Published when she was fifty-eight, between the Vietnam reporting and the African novellas.

What this book explores

Timeline

  1. 1953

    The novel's setting — the invented Mexican village of San Ignacio del Tule, drawn from the four years Gellhorn spent living among such an expatriate colony.

  2. 1967

    Michael Joseph publishes it in London — Gellhorn fifty-eight, between the Vietnam reporting and the African novellas.

  3. 1969

    A first US edition follows from Dodd, Mead in New York, two years after the London printing.

Book editions

Hardcover
Hardcover
Michael Joseph
1967
First edition, London.
Hardcover
Hardcover
Dodd, Mead
1969
First US edition, New York, two years after the London printing.

Reader reviews

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Cover of Liana by Martha Gellhorn

Liana

Martha Gellhorn

The earlier novel of a colonial society seen from inside a household.

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The Lowest Trees Have Tops: frequently asked questions

Who wrote The Lowest Trees Have Tops?

Martha Gellhorn. The novel was published in 1967.

What is The Lowest Trees Have Tops about?

Set in 1953 in the invented Mexican village of San Ignacio del Tule, it follows a small foreign community that has settled there — some of them Communists, some mild conservatives — none of them in much danger from each other.

Is it based on Gellhorn's own life?

She spent four years living in Mexico, among the kind of expatriate community she invented for the novel.

Where does the title come from?

From a line of Elizabethan verse — the poem "The Lowest Trees Have Tops" attributed to Edward Dyer, whose conceit runs beneath the book.

What kind of novel is it?

A quiet novel of an expatriate community in a Mexican village, watched with Gellhorn's reporter's eye.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document The Lowest Trees Have Tops, its publication, and its place in literary history.

  1. 1Martha Gellhorn: A Life

    Biography
    Caroline Moorehead, 2003
    Used for

    Used to verify The Lowest Trees Have Tops's bibliographic context and its place within Martha Gellhorn's published work.

  2. 2Martha Gellhorn — War Correspondent and Writer | Blue Plaques

    Website
    English Heritage
    Used for

    Used for independent archival, institutional, or historical context surrounding Martha Gellhorn and The Lowest Trees Have Tops.

    View source
  3. 3Ernest Hemingway Collection — Martha Gellhorn (Hemingway) | EH@JFK, John F. Kennedy Presidential Library

    Website
    John F. Kennedy Presidential Library and Museum
    Used for

    Used to cross-check chronology, publication history, and the circumstances in which The Lowest Trees Have Tops appeared.

    View source
  1. 4Martha Gellhorn | Historic Missourians

    Website
    The State Historical Society of Missouri
    Used for

    Used for an additional scholarly or biographical perspective on The Lowest Trees Have Tops and Martha Gellhorn's wider career.

    View source
  2. 5In Search of Home: The Writings of Katherine Anne Porter, Martha Gellhorn, Elizabeth Bishop and Joan Didion

    Nonfiction
    University College London, doctoral thesis, 1998
    Used for

    Critical discussion and reproduced primary passages; not a complete reading or collation of the novel.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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