
Stand Still Like the Hummingbird
The major late collection that best contextualizes these shorter reflections.
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by Henry Miller
Seven short works—essay, letter, memory, fiction, and meditation—issued as the eleventh number of Irving Stettner’s Stroker.
The Theatre and Other Pieces is not a standalone Miller play. It is the thirty-two-page eleventh issue of Irving Stettner’s magazine Stroker, published in 1979 and devoted to seven Miller works: “The Theatre,” “A Letter to Gaston Criel,” “Melpo,” “The Painting Lesson,” “On Death,” “Letter to an Editor,” and “Memory and Forgettery.” Miller’s own lithographs and drawings accompany the prose. The issue was limited to five hundred copies, including a signed numbered group.
The contents resist a single genre. The title piece considers theatre; two pieces preserve correspondence; “Melpo” and “The Painting Lesson” move through more narrative or portrait-like territory; “On Death” and “Memory and Forgettery” turn toward late-life reflection. Treating the booklet as a play erases precisely the mixture Stroker assembled.
The Library of Congress-derived record supplies the contents, pagination, series number, and five-hundred-copy limit. Bibliographic descriptions also record Miller’s cover lithograph and interior illustrations. The issue is both a prose collection and a small art object.
The Theatre and Other Pieces contains seven prose works: The Theatre, A Letter to Gaston Criel, Melpo, The Painting Lesson, On Death, Letter to an Editor, and Memory and Forgettery. The title names the opening piece rather than describing the whole book as a play.
The contents move among recollection, letters, and short reflection. Theatre and painting sit beside death and the unreliability of memory. This mixed arrangement gives the book the character of a magazine issue devoted to one writer, which is precisely how it first appeared.
The collection was published in New York in 1979 as number eleven of Stroker, the magazine edited by Irving Stettner. It runs to thirty-two pages and was limited to five hundred copies. Miller’s own illustrations accompany the writing.
Stettner was an important outlet for Miller’s late work. Their association also produced the letters, drawings, and prose collected after Miller’s death in From Your Capricorn Friend. That later book is related, but it should not be treated as an identical reprint of this seven-piece issue.
A letter begins with a particular recipient and an occasion. A reflection on memory or death makes a more general address. Keeping those forms visible helps explain why a small book can change direction so often without developing a continuous story.
The Painting Lesson also belongs to a larger group of Miller publications about making pictures. Readers interested in that part of his work can place it beside To Paint Is to Love Again and The Waters Reglitterized. The individual piece remains part of this collection, even when its subject overlaps with those books.
Just Wild About Harry is Miller’s seven-scene play. Scenario is his experiment in a film scenario inspired by Anaïs Nin. Neither description fits The Theatre and Other Pieces, whose contents include letters and prose reflections rather than a single script.
For readers choosing an edition, the Stroker issue number and 1979 publication date identify this volume more reliably than the word theatre alone. Its small size suits reading the individual pieces separately, with their original forms and occasions in mind.
The compact issue shows Miller moving among criticism, correspondence, narrative, memory, and death.
Irving Stettner’s magazine gives the prose a deliberately handmade setting alongside Miller’s images.
1979
Stroker devotes its eleventh issue to seven Miller pieces and his illustrations.

The major late collection that best contextualizes these shorter reflections.
Read our take

An earlier limited collection whose mixed form anticipates this one.
Read our takeNo. It is a mixed seven-piece collection; only the title may suggest drama, and the complete contents include essays, letters, narrative prose, and reflection.
“The Theatre,” “A Letter to Gaston Criel,” “Melpo,” “The Painting Lesson,” “On Death,” “Letter to an Editor,” and “Memory and Forgettery.”
As Stroker no. 11 in 1979, in a total edition of five hundred copies.
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