
The Face of War
The same eye turned on war instead of poverty — read together, they show a single subject held for sixty years.
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Four novellas about Americans out of work, written by a twenty-seven-year-old who had spent a year being paid to go and look.
In 1934 Gellhorn was hired to travel the United States and report what federal relief was actually doing for people. She turned what she saw into four novellas about the unemployed — an old woman, two laid-off union men, a delivery boy, a child — and published them in 1936 with a commendation from H. G. Wells. It made her name at twenty-seven, two years before she reported a war, and it establishes the subject she kept for sixty years: not the catastrophe, but the people it lands on.
Four novellas, in this order: Mrs Maddison, Joe and Pete, Jim, and Ruby. Mrs Maddison is an older Southern woman keeping a household together as it enters a rural rehabilitation scheme. Joe and Pete are soup-factory workers and union men, after a strike and a layoff. Jim is a delivery boy who steals from the clothing store he works for so that he and the woman he is marrying can be properly dressed for the wedding. Ruby is a child drawn into prostitution for the sake of small things — candy, toiletries, a pair of roller skates.
Gellhorn wrote them out of the year she spent in the field for the Federal Emergency Relief Administration, and began the sequence while staying at the White House as a guest of the Roosevelts. H. G. Wells contributed an introductory commendation to the 1936 edition, praising the book for its accuracy and for refusing to be sentimental about it. The novella length is the point: each piece has room to follow a life rather than an incident, and it is the form she returned to for the rest of her career.
Go and look, talk to the people it is happening to, write it plainly. She worked that way for six more decades; this is the first place it is visible.
Two books published before she met Hemingway, and this is the one that made her reputation.
Four novellas, no padding, no uplift. The last one is about a child and it is very difficult to forget.
1934
Gellhorn is hired to travel the United States and report what federal relief is doing for people, beginning the sequence as a guest of the Roosevelts at the White House.
1936
William Morrow publishes the four novellas about the unemployed, with an introductory commendation by H. G. Wells; it makes her name at twenty-seven, two years before Spain.
2012
Eland reissues it as The Trouble I've Seen: Four Stories from the Great Depression, with an introduction by Caroline Moorehead.

The same eye turned on war instead of poverty — read together, they show a single subject held for sixty years.
Read our takeMartha Gellhorn. Published in 1936, it was an early book, written before her war reporting made her famous.
Four novellas about the unemployed during the Depression — an old woman, two laid-off union men, a delivery boy, and a child — drawn from what Gellhorn saw traveling the United States.
In 1934 she was hired to travel the country and report what federal relief was actually doing for people. She turned what she saw into fiction.
Four linked novellas — documentary fiction rooted directly in her relief-work reporting.
It was praised on publication and marked Gellhorn's arrival, still in her twenties, as a serious writer attentive to ordinary lives.