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Cover of The Short Novels of Martha Gellhorn by Martha Gellhorn

The Short Novels of Martha Gellhorn

by Martha Gellhorn

Fourteen novellas written between 1936 and 1978, gathered in one volume. For most of Gellhorn's fiction it is the only edition still in circulation.

Published
1991
Pages
736
Shelf rating
4.3

About Martha Gellhorn

Illustrated portrait of Martha Gellhorn
Martha Gellhorn

20 books shelved

The story, briefly

Spoiler-free

The collected novellas, drawn from four earlier collections published between 1936 and 1978 and assembled by Sinclair-Stevenson in 1991. It runs to more than seven hundred pages and includes the three African novellas from The Weather in Africa alongside earlier work. This is the single volume in which the form she was best at can be read in sequence, and for most of her fiction it is the edition still in circulation.

The story, in more detail

Fourteen pieces drawn from four collections published between 1936 and 1978, running to more than seven hundred pages. The early work includes the Depression novellas — Mrs Maddison, Joe and Pete, Jim, Ruby — that made her name in The Trouble I've Seen. The middle of the book holds the marriage sequence titled after the vows, For Better For Worse, For Richer For Poorer, In Sickness and In Health, Till Death Us Do Part, and the sharper later stories: A Promising Career, The Clever One, The Fall and Rise of Mrs Hapgood. It closes with the three African novellas from The Weather in Africa.

Read in order, it is the clearest available account of what she actually did as a fiction writer, which is not what her reputation suggests. The subjects move from American poverty to European marriages to colonial Africa across fifty years, and the form stays constant: long enough to hold a whole life, short enough that nothing can be padded. Several of the source collections have been out of print for decades, so for most of this material this volume is the only way in.

Themes and analysis

These readings discuss events throughout the book, including its ending.

Mrs Maddison’s best hat

In the opening, read here in Denise Geneix’s French translation as revised by the publisher, dressing becomes Mrs Maddison’s defense against being defined by need. The cracked mirror blurs her face but leaves the hat distinct: the object she can arrange seems more manageable than the person seeking relief. Her insistence that assistance is a right sits beside her uncertainty about that right. The effect is not a simple celebration of pride. Her effort to appear respectable also includes racial contempt, showing how a claim to dignity can coexist with a wish to stand above other people in hardship.

Mrs Maddison dresses carefully before seeking relief. An imagined scene from the opening of “Mrs Maddison”, collected in this volume. (Illustration — The Paris Atlas)

Return to the mountain hotel

In Anita Kamala Dalal’s reading of “On the Mountain,” the Jenkins parents’ work is directed toward an inheritance for their daughters. That emphasis makes the hotel more than a picturesque refuge: it represents effort meant to outlast the people who supplied it. Beside Mrs Maddison’s need for immediate relief, this concern with inheritance changes the timescale of security, from surviving the present to protecting a future generation. The comparison also invites a distinction between having somewhere to return and having a life settled for you. Material shelter is important without being a complete account of belonging.

Two sisters return to their parents’ East African hotel. An imagined illustration inspired by “On the Mountain”, collected in this volume. (Illustration — The Paris Atlas)

Why we recommend it

  1. The form she was best at

    Her novels are uneven and her novellas are not. This is the volume that makes the case.

  2. Still the edition in circulation

    Several of the individual collections have been out of print for decades. This one is how most readers reach them.

  3. A career readable in order

    Forty years of work in sequence, which is a different thing from any single collection.

What this book explores

Timeline

  1. 1936–1978

    The fourteen novellas first appear across four collections — from the Depression stories of The Trouble I've Seen to the African novellas of The Weather in Africa.

  2. 1991

    Sinclair-Stevenson gathers them in London as The Short Novels of Martha Gellhorn, more than seven hundred pages — the form she was best at, readable in sequence at last.

  3. 1993

    Knopf reissues the volume in the United States as The Novellas of Martha Gellhorn, with a Vintage paperback the next year.

Book editions

Hardcover
Hardcover
Sinclair-Stevenson
1991
First edition, London, as The Short Novels of Martha Gellhorn.
Hardcover edition cover
Hardcover
Knopf
1993
Reissued in the United States as The Novellas of Martha Gellhorn, the title it is usually found under there. A Vintage paperback followed in 1994.
Paperback
Paperback
Picador
1994
UK paperback, under the original title.

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The Short Novels of Martha Gellhorn: frequently asked questions

What is The Short Novels of Martha Gellhorn?

A 1991 collection gathering her novellas from four earlier collections published between 1936 and 1978. It runs to more than seven hundred pages.

What does it include?

Fourteen pieces, including the three African novellas from The Weather in Africa alongside her earlier work.

Who was Martha Gellhorn?

A pioneering American war correspondent and novelist, and briefly Ernest Hemingway's third wife.

Is this the best single volume of her fiction?

It is the one volume that gathers the bulk of her novellas — the form many readers think she was strongest in.

When were the novellas written?

Across her career, from 1936 to 1978, drawn from four separate collections.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document The Short Novels of Martha Gellhorn, its publication, and its place in literary history.

  1. 1The Short Novels of Martha Gellhorn

    Novel
    Martha Gellhorn, 1991
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2Martha Gellhorn: A Life

    Biography
    Caroline Moorehead, 2003
    Used for

    Used to verify The Short Novels of Martha Gellhorn's bibliographic context and its place within Martha Gellhorn's published work.

  3. 3Martha Gellhorn — War Correspondent and Writer | Blue Plaques

    Website
    English Heritage
    Used for

    Used for independent archival, institutional, or historical context surrounding Martha Gellhorn and The Short Novels of Martha Gellhorn.

    View source
  4. 4Ernest Hemingway Collection — Martha Gellhorn (Hemingway) | EH@JFK, John F. Kennedy Presidential Library

    Website
    John F. Kennedy Presidential Library and Museum
    Used for

    Used to cross-check chronology, publication history, and the circumstances in which The Short Novels of Martha Gellhorn appeared.

    View source
  5. 5Martha Gellhorn | Historic Missourians

    Website
    The State Historical Society of Missouri
    Used for

    Used for an additional scholarly or biographical perspective on The Short Novels of Martha Gellhorn and Martha Gellhorn's wider career.

    View source
  1. 6J’ai vu la misère — publisher’s excerpt of Mrs Maddison

    Website
    Les Éditions du Sonneur, 2017
    Used for

    The opening in Denise Geneix’s French translation, revised by the publisher; not a collation with the English collected edition.

    View source
  2. 7In Search of Home: The Writings of Katherine Anne Porter, Martha Gellhorn, Elizabeth Bishop and Joan Didion

    Nonfiction
    University College London, doctoral thesis, 1998
    Used for

    Used for the explicitly attributed critical reading of the parents’ work, not as a substitute for a complete reading of the novella.

    View source
  3. 8The Weather in Africa — publisher's description

    Website
    Eland Books
    Used for

    Publisher’s description supplies the premise of the sisters’ return to their parents’ hotel; it is not a primary-text excerpt.

    View source
  4. 9Martha Gellhorn and Ernest Hemingway: A Literary Relationship — MA thesis

    Website
    University of North Texas, 2003
    Used for

    Identifies the four reprinted collections and the British and American titles; not a page-by-page comparison of editions.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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