The Hemingway Daiquiri: What It Is and Where It Came From

The short answer: a Hemingway daiquiri is a tart rum cocktail associated with Ernest Hemingway, the American novelist and journalist, and El Floridita bar in Havana, Cuba. The modern version combines rum, grapefruit juice, maraschino liqueur, and fresh lime. It is also called the Hemingway Special. The older Papa Doble story describes a different order: a daiquiri with less or no added sugar and more rum.

Those names are often treated as exact synonyms, but the surviving record is less tidy. El Floridita already served several numbered daiquiris. Hemingway asked for a stronger, less sweet variation. Later recipes joined his name to grapefruit and maraschino. A useful history must therefore separate the basic daiquiri, the Papa Doble, and the standardized drink now called the Hemingway Special.

The three drinks people mean

A classic daiquiri is rum, fresh lime juice, and sugar, shaken with ice and strained. The International Bartenders Association’s current recipe uses 60 millilitres of white Cuban rum, 20 millilitres of lime juice, and two bar spoons of superfine sugar. It is a short sour cocktail, not automatically a frozen drink.

Papa Doble means “Papa double.” Papa was Hemingway’s familiar nickname, and doble referred to the stronger order linked with him. The common origin story says he wanted less sugar and more rum after tasting a daiquiri at El Floridita. That description is more stable than any one ingredient list. It should not be presented as if Hemingway signed a final recipe card.

The modern Hemingway Special has a clearer reference recipe. The International Bartenders Association specifies 60 millilitres of rum, 40 millilitres of grapefruit juice, 15 millilitres of maraschino liqueur, and 15 millilitres of fresh lime. It is shaken with ice and strained into a large cocktail glass. Maraschino is a cherry liqueur, not the red syrup from a jar of cocktail cherries.

Who made Hemingway’s daiquiri

Constantino “Constante” Ribalaigua Vert was the Cuban bartender and proprietor who made El Floridita famous for its daiquiris. He was born in Catalonia, moved to Cuba as a child, learned bartending from his father, and eventually ran the Havana bar. His own 1930s recipe book, Cocktails: Bar La Florida, documents a family of numbered daiquiris rather than one timeless house formula.

This matters because Ribalaigua was not simply following a celebrity’s instructions. He was an influential professional bartender with an established daiquiri program. Hemingway’s preferred order became one variation inside that larger body of work. Calling the cocktail Hemingway’s “invention” erases the bartender who developed and served it.

What is firmly documented

Hemingway’s connection to El Floridita is not a doubtful celebrity anecdote. Photographs show him at the bar. The Finca Vigía Foundation, which works with the Ernest Hemingway museum and archive at his Cuban home, identifies El Floridita as his favourite Havana bar and the grapefruit daiquiri as his favourite drink. His fiction also preserves the association.

Islands in the Stream, Ernest Hemingway’s posthumously published novel, places the painter Thomas Hudson at El Floridita drinking frozen daiquiris. The scene describes the drinks arriving from a mixer and uses their coldness, texture, and hidden strength as part of Hudson’s attempt to manage grief. Hemingway wrote the underlying manuscript, but his widow Mary Hemingway and his publisher assembled the unfinished book after his death. It is strong evidence for the bar and drink in his imagination, not a finished memoir or recipe manual.

The exact restroom story—the claim that Hemingway entered El Floridita only to use the toilet, sampled another customer’s drink, and immediately requested less sugar and double rum—is widely repeated but rests on later retellings. The broad relationship is well supported. The scene-by-scene origin story should be labelled as tradition rather than contemporary proof.

The famous mojito line is not reliable

A framed inscription at La Bodeguita del Medio in Havana is often quoted as Hemingway saying that his mojito belonged there and his daiquiri belonged at El Floridita. The daiquiri half fits a documented habit. The inscription as a whole does not have reliable provenance.

Philip Greene, a cocktail historian and Hemingway researcher, traced the story to Fernando Campoamor, a Cuban journalist who knew Hemingway. Campoamor said that the line began as a joke devised to help La Bodeguita’s business and that a graphic artist imitated Hemingway’s handwriting. Greene also found no supporting appearance of La Bodeguita or the mojito in Hemingway’s prose, letters, or standard biographies. The Paris Atlas therefore does not present the inscription as a verified Hemingway quotation.

What Paris has to do with the story

The Hemingway daiquiri was not invented in Paris. Hemingway’s Paris years from 1921 to 1928 came earlier and established the public image that later attached itself to bars around the world: the young foreign correspondent working in cafés, the novelist among other expatriate writers, and the careful observer who made food and drink part of a scene.

At La Closerie des Lilas, a café and brasserie in Montparnasse, Hemingway worked on The Sun Also Rises. The 1926 novel sends Jake Barnes, Lady Brett Ashley, and their friends through Paris cafés drinking brandy, whisky and soda, beer, wine, and Pernod. Alcohol is part of their social routine and their avoidance, not a collection of signature recipes.

The present Bar Hemingway at the Ritz Paris opened under that name in 1994, thirty-three years after Hemingway died. The room was formerly Le Petit Bar. Hemingway genuinely knew the Ritz and drank there with the American novelist F. Scott Fitzgerald and the writer and artist Zelda Fitzgerald, but today’s bar is a tribute, not the birthplace of his daiquiri. Its documented house creation is Colin Field’s Serendipity cocktail.

That distinction is the reason this subject belongs in The Paris Atlas. Hemingway’s drinking legend now collapses several cities and decades into one marketable character called “Papa.” The record becomes clearer when each place keeps its own part: working cafés and the Ritz in Paris; the daiquiri and El Floridita in Havana.

A responsible way to make the modern drink

For a reproducible modern Hemingway Special, use the International Bartenders Association proportions: 60 millilitres rum, 40 millilitres grapefruit juice, 15 millilitres maraschino liqueur, and 15 millilitres fresh lime juice. Shake the ingredients with ice and strain them into a large cocktail glass. This is a modern standardized recipe, not a claim that every drink Hemingway consumed had those exact measurements.

The drink contains a full 60 millilitres of spirit plus liqueur. Its citrus and cold temperature can make the alcohol less obvious, so the historical association is not a reason to copy stories about high consumption. A smaller serving or a non-alcoholic grapefruit-and-lime sour can preserve the flavour contrast without treating excess as literary authenticity.

Sources and further reading

The primary cocktail source is Constantino Ribalaigua Vert’s 1935 Cocktails: Bar La Florida, preserved in the Exposition Universelle des Vins et Spiritueux digital collection. The International Bartenders Association supplies current reference recipes for both the classic Daiquiri and the Hemingway Special. Islands in the Stream supplies Hemingway’s best-known fictional El Floridita scene, with the warning that the novel was assembled and published in 1970 after his death.

The Finca Vigía Foundation records the link among Hemingway, El Floridita, and the grapefruit daiquiri. Philip Greene’s 2015 investigation explains why the La Bodeguita mojito inscription should not be treated as authentic. The Ritz Paris and La Closerie des Lilas provide the venue histories used to keep the later Havana drink separate from Hemingway’s earlier Paris life.