Boris Taslitzky
- Painter
Met · 1930
Sher-Gil and Taslitzky studied in Lucien Simon's studio at the École des Beaux-Arts during her Paris years.
Amrita Sher-Gil was born in Budapest in 1913 to Umrao Singh Sher-Gil, an Indian scholar and photographer, and Marie Antoinette Gottesmann, a Hungarian opera singer. Her childhood moved between Europe and India, with drawing encouraged before formal study began.
Sher-Gil arrived in Paris with her family in 1929. She entered the Académie de la Grande Chaumière under Pierre Vaillant, then joined Lucien Simon's studio at the École nationale supérieure des Beaux-Arts. She learned French, painted from the model, and exhibited with other students.
Four years of training gave her technical command of oil paint and direct access to European modernism. The National Gallery of Modern Art identifies the Post-Impressionists, including Paul Gauguin, as important to this period. In 1933 Young Girls earned her election as an associate of the Grand Salon.
Sher-Gil returned to India in 1934 because she believed her principal work belonged there. She traveled through the country and replaced the Paris studio subjects with village groups, women, laborers, and landscapes painted in a denser, earthier palette.
She died in Lahore in 1941 at twenty-eight. The career was short, but the combination of Paris training and sustained attention to Indian subjects made her a central figure in the history of modern Indian painting.
Born in Budapest.
Moves to Paris and studies at the Académie de la Grande Chaumière, then the École des Beaux-Arts.
Young Girls wins recognition at the Grand Salon, where she is elected an associate.
Returns to India and redirects her work toward Indian subjects.
Stages a major exhibition in Lahore, standing among the Paris-trained and Indian-subject paintings that defined her brief career.
Dies in Lahore at age twenty-eight.
Met · 1930
Sher-Gil and Taslitzky studied in Lucien Simon's studio at the École des Beaux-Arts during her Paris years.
Met · 1937
Sher-Gil and Nehru knew one another in India in the late 1930s; their surviving correspondence records the friendship.
Sher-Gil encountered Post-Impressionist painting during her Paris training, and the National Gallery of Modern Art identifies Gauguin as a particular influence on her early development.

Sher-Gil was admitted to the Académie de la Grande Chaumière in April 1929 and studied there under Pierre Vaillant before entering the École des Beaux-Arts.
Visit the place
Sher-Gil entered Lucien Simon's studio at the École nationale des Beaux-Arts in October 1929 and remained at the school until July 1933.
Visit the placeMet · 1930
Sher-Gil and Taslitzky studied in Lucien Simon's studio at the École des Beaux-Arts during her Paris years.
Met · 1937
Sher-Gil and Nehru knew one another in India in the late 1930s; their surviving correspondence records the friendship.
Studied at · 1929
Sher-Gil was admitted to the Académie de la Grande Chaumière in April 1929 and studied there under Pierre Vaillant before entering the École des Beaux-Arts.
Studied at · 1929–1933
Sher-Gil entered Lucien Simon's studio at the École nationale des Beaux-Arts in October 1929 and remained at the school until July 1933.
Influenced by
Sher-Gil encountered Post-Impressionist painting during her Paris training, and the National Gallery of Modern Art identifies Gauguin as a particular influence on her early development.
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