Cinematography — Film
- Cinematographer
Raoul Coutard
French cinematographer associated above all with the New Wave and the handheld, available-light look of Jean-Luc Godard’s Breathless. He shot much of Godard’s and François Truffaut’s early films, and came to cinema from years as a war photographer in Indochina.
Details
- 1924–2016
- 1924
- 2016
- French
- Cinematographer
In the credits
Cinematography — Film
Jules and Jim
Cinematography — Film
Vivre sa vie
Cinematography — Film
Contempt
Cinematography — Film
Band of Outsiders
Cinematography — Film
Pierrot le fou
People they knew
François Truffaut
- Filmmaker
- Critic
- Actor
Collaborated with · 1960–1968
Coutard photographed Shoot the Piano Player (1960), Jules and Jim (1962), and The Bride Wore Black (1968) for Truffaut. The two disagreed sharply over the last of them.
Jean-Luc Godard
- Filmmaker
- Critic
Collaborated with · 1959–1983
Coutard shot nearly all of Godard's New Wave features, from Breathless in 1959 through Weekend in 1967, and the two worked together again on Passion (1982) and Prénom Carmen (1983). The handheld camera and available light of those films are largely his.
Sourced claims
Collaborated with · 1960–1968
François Truffaut
Coutard photographed Shoot the Piano Player (1960), Jules and Jim (1962), and The Bride Wore Black (1968) for Truffaut. The two disagreed sharply over the last of them.
Collaborated with · 1959–1983
Jean-Luc Godard
Coutard shot nearly all of Godard's New Wave features, from Breathless in 1959 through Weekend in 1967, and the two worked together again on Passion (1982) and Prénom Carmen (1983). The handheld camera and available light of those films are largely his.

