
The Diary of Anaïs Nin, 1947–1955
The lean years these letters witness from the correspondent's side.
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by Anaïs Nin
Twenty-four years of letters with the poet-librarian who took her seriously before the world did.
The correspondence between Nin and Felix Pollak — Viennese-born poet, translator, and rare-books librarian — began in 1952 with a curator's inquiry and ran to the last months of her life. Pollak was the professional believer of the lean years: acquiring her manuscripts for his library, arguing for her work in print, and giving her a correspondent equal to her seriousness about the diary as literature. Edited by Gregory H. Mason and published in 1998, the letters span the whole second act of her career, from obscurity to icon. (Letters — nothing to spoil.)
Pollak enters the story from an unexpected door: the rare-books room. As a librarian building a modern-literature collection, he wrote to the out-of-print novelist in 1952 about her manuscripts, and the professional inquiry became one of the durable friendships of her life — twenty-four years of letters about writing, exile (Pollak had fled Vienna in 1938), the diary's long road to publication, and the American literary weather they both watched from its margins.
The correspondence's arc is the career's: it begins with Nin unknown and Pollak one of the few institutional voices insisting she mattered, and ends with the fame accomplished and the friendship intact. Gregory H. Mason's 1998 edition presents both sides, and readers of the diaries will find here one of the few sustained exchanges where Nin is answered at her own level of seriousness about her life's central project.
Twenty-four years of two-sided correspondence, 1952–1976, edited with introduction and notes by Gregory H. Mason: the manuscript acquisitions that began it; the lean-years letters on rejection, self-publishing, and the diary question; two exiles' running conversation about Europe, America, and belonging; and the late letters from inside the fame the early ones could only argue was deserved.
Pollak answers Nin at her own seriousness — rare in her published mail, and the exchange is better for it.
From out-of-print to icon inside one friendship's letters.
Two Europeans in midcentury America, comparing notes on belonging — a theme the diaries only glance at.
1952
Pollak's manuscript inquiry opens the correspondence during Nin's out-of-print years.
1952–1976
Twenty-four years of letters, from obscurity through the Diary's fame to the last months of her life.
1998
Gregory H. Mason's edition publishes the exchange.

The lean years these letters witness from the correspondent's side.
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The long approach to publication, argued out in this friendship too.
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The other great two-sided correspondence on the shelf — passion there, alliance here.
Read our takeThe published correspondence between Anaïs Nin and the poet-librarian Felix Pollak, spanning 1952 to 1976 — edited by Gregory H. Mason and published in 1998.
A Viennese-born poet, translator, and rare-books librarian in America, who began acquiring Nin's manuscripts in the 1950s and became one of her most sustained correspondents.
With a professional letter in 1952 — Pollak, building a library collection, inquired about her manuscripts during the years her novels were out of print.
Writing and the diary's long road to publication, the business of literary reputation, and the experience of European exile in midcentury America.
Yes — the edition prints both sides of the exchange, one of the few Nin correspondences published whole.