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Cover of Arrows of Longing by Anaïs Nin

Arrows of Longing

The Correspondence Between Anaïs Nin and Felix Pollak, 1952–1976

by Anaïs Nin

Twenty-four years of letters with the poet-librarian who took her seriously before the world did.

Published
1998Posthumous
Shelf rating
3.0

About Anaïs Nin

Illustrated portrait of Anaïs Nin
Anaïs Nin

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The story, briefly

Spoiler-free

The correspondence between Nin and Felix Pollak — Viennese-born poet, translator, and rare-books librarian — began in 1952 with a curator's inquiry and ran to the last months of her life. Pollak was the professional believer of the lean years: acquiring her manuscripts for his library, arguing for her work in print, and giving her a correspondent equal to her seriousness about the diary as literature. Edited by Gregory H. Mason and published in 1998, the letters span the whole second act of her career, from obscurity to icon. (Letters — nothing to spoil.)

The story, in more detail

Pollak enters the story from an unexpected door: the rare-books room. As a librarian building a modern-literature collection, he wrote to the out-of-print novelist in 1952 about her manuscripts, and the professional inquiry became one of the durable friendships of her life — twenty-four years of letters about writing, exile (Pollak had fled Vienna in 1938), the diary's long road to publication, and the American literary weather they both watched from its margins.

The correspondence's arc is the career's: it begins with Nin unknown and Pollak one of the few institutional voices insisting she mattered, and ends with the fame accomplished and the friendship intact. Gregory H. Mason's 1998 edition presents both sides, and readers of the diaries will find here one of the few sustained exchanges where Nin is answered at her own level of seriousness about her life's central project.

What's inside

Twenty-four years of two-sided correspondence, 1952–1976, edited with introduction and notes by Gregory H. Mason: the manuscript acquisitions that began it; the lean-years letters on rejection, self-publishing, and the diary question; two exiles' running conversation about Europe, America, and belonging; and the late letters from inside the fame the early ones could only argue was deserved.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The inquiry becomes an alliance

Agreement about a writer's importance need not mean agreement about her revisions. In passages quoted by Benjamin Franklin V, Nin tells Pollak in 1955 that The Winter of Artifice exaggerated material taken from her diary; in 1960, he still calls the earlier, unexpurgated version her best book. Read together, the judgments expose two standards of value: the author's dissatisfaction with transformation and the reader's attachment to the result. The correspondence preserves that difference, making literary support something more demanding than an echo of the writer's own verdict.

What begins in 1952 as a librarian’s professional inquiry leads Nin back through manuscript boxes from the years when her books were out of print. An imagined reconstruction. (Illustration — The Paris Atlas)

The institutional believer

The brief letter excerpt reproduced by the publisher reverses the familiar picture of Pollak as Nin's supporter. She becomes his attentive reader, praising the poems he has made from sadness and promising to share them with her students. Her own illness enters between those gestures without ending her concern for his work. Literary encouragement is given a practical form: a poem can travel beyond the private exchange to another audience. The passage presents belief in a writer as something enacted through reading and circulation, not simply declared as admiration.

Felix Pollak receives, inventories and safeguards the work of an out-of-print writer, turning a professional acquisition into twenty-four years of serious correspondence. An imagined reconstruction. (Illustration — The Paris Atlas)

Why we recommend it

  1. An equal correspondent

    Pollak answers Nin at her own seriousness — rare in her published mail, and the exchange is better for it.

  2. The career's second act, complete

    From out-of-print to icon inside one friendship's letters.

  3. The exile's register

    Two Europeans in midcentury America, comparing notes on belonging — a theme the diaries only glance at.

What this book explores

Timeline

  1. 1952

    Pollak's manuscript inquiry opens the correspondence during Nin's out-of-print years.

  2. 1952–1976

    Twenty-four years of letters, from obscurity through the Diary's fame to the last months of her life.

  3. 1998

    Gregory H. Mason's edition publishes the exchange.

Book editions

Paperback
Paperback
Sky Blue Press
1998
First edition — edited by Gregory H. Mason

Reader reviews

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Arrows of Longing: frequently asked questions

What is Arrows of Longing?

The published correspondence between Anaïs Nin and the poet-librarian Felix Pollak, spanning 1952 to 1976 — edited by Gregory H. Mason and published in 1998.

Who was Felix Pollak?

A Viennese-born poet, translator, and rare-books librarian in America, who began acquiring Nin's manuscripts in the 1950s and became one of her most sustained correspondents.

How did the correspondence begin?

With a professional letter in 1952 — Pollak, building a library collection, inquired about her manuscripts during the years her novels were out of print.

What do the letters discuss?

Writing and the diary's long road to publication, the business of literary reputation, and the experience of European exile in midcentury America.

Are Pollak's letters included?

Yes — the edition prints both sides of the exchange, one of the few Nin correspondences published whole.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Arrows of Longing, its publication, and its place in literary history.

  1. 1Arrows of Longing

    Novel
    Anaïs Nin, 1998
    Used for

    The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.

  2. 2The Winter of Artifice, 1939 edition — introduction quoting the Nin–Pollak letters

    Website
    Sky Blue Press / Everand, 2012
    Used for

    Introduction: Nin's 1955 assessment and Pollak's 1960 judgment, citing Arrows of Longing, pp. 25 and 152. Read as a reproduced excerpt, not a complete-letter or manuscript collation.

    View source
  3. 3Arrows of Longing — publisher's letter excerpt

    Website
    Swallow Press / Ohio University Press, 1998
    Used for

    Publisher's undated letter excerpt: praise for Pollak's poems and promise to read them to students. Read as a reproduced excerpt, not a complete-letter or manuscript collation.

    View source
  4. 4Anaïs Nin — biography

    Website
    The Anaïs Nin Foundation
    Used for

    Used to verify Arrows of Longing's bibliographic context and its place within Anaïs Nin's published work.

    View source
  1. 5Anaïs Nin Papers — diary, March–September 1938

    Archive
    UCLA Library Special Collections
    Used for

    Used for independent archival, institutional, or historical context surrounding Anaïs Nin and Arrows of Longing.

    View source
  2. 6Anaïs Nin: A Biography

    Biography
    G. P. Putnam's Sons, 1995
    Used for

    Used to cross-check chronology, publication history, and the circumstances in which Arrows of Longing appeared.

  3. 7Anaïs: The Erotic Life of Anaïs Nin

    Biography
    Little, Brown, 1993
    Used for

    Used for an additional scholarly or biographical perspective on Arrows of Longing and Anaïs Nin's wider career.

i
Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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