The Paris AtlasCharting the artists, works, and places worth returning to.
A shop window filled with headless dress forms wearing laced corsets, arranged in rows on stands and hanging from above, with price cards propped beside them

Artwork reproduction

Photograph

Boulevard de Strasbourg, Corsets

by Eugène Atget

Corseted torsos hang and stand in a shop window on the boulevard de Strasbourg, laced and boned and headless. Atget made the photograph in 1912 as trade documentation of a Paris shopfront, a few years before the corset went out of fashion altogether.

Created
1912
Medium
Albumen silver print from a glass negative

About Eugène Atget

Eugène Atget

6 works catalogued

What the photograph shows

A shop window on the boulevard de Strasbourg, filled with corsets on headless dress forms. Some stand on the floor of the display, some hang from above. Small cards give the prices.

There is no person in the picture. The forms are shaped like torsos and arranged in rows, so the window reads as a crowd of bodies that are not bodies.

A trade record of 1912

Atget photographed the window as part of his documentation of Paris shops and trades, the same working practice that produced hundreds of shopfronts, courtyards and street traders. He sold the prints as reference to artists, decorators and archives.

The date matters to what is in the window. Paul Poiret had begun designing for an uncorseted figure around 1906, and by the early 1920s the corset had largely gone. This is a photograph of a trade shortly before it collapsed.

Frequently asked questions

What is Atget's Boulevard de Strasbourg, Corsets?

A 1912 photograph by Eugène Atget of a corset shop window on the boulevard de Strasbourg in Paris. The window is filled with headless dress forms wearing laced corsets, arranged in rows with price cards.

Why did Atget photograph a shop window?

Shopfronts were part of his systematic record of Paris trades. He sold prints as working reference to artists, decorators, designers and municipal archives, and window displays documented both the goods and the way they were sold.

Why is the date significant?

Because the corset was about to disappear. Paul Poiret had been designing for an uncorseted figure since around 1906, and by the early 1920s corsetry had largely gone out of women's fashion. The photograph records a trade a few years before it ended.

Where is the boulevard de Strasbourg?

In the 10th arrondissement of Paris, running north from the Porte Saint-Denis toward the Gare de l'Est.

Who holds this photograph?

Prints are held by several institutions; the reproduction used here was donated to Wikimedia Commons by the Metropolitan Museum of Art. The Museum of Modern Art holds the Abbott-Levy collection, the body of Atget material Berenice Abbott bought from his studio in 1928.

More by Eugène Atget

References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Boulevard de Strasbourg, Corsets, its making, and its place in cultural history.

  1. 1Eugène Atget

    Website
    Wikipedia
    Used for

    Web source consulted for documented facts and historical context presented on the Boulevard de Strasbourg, Corsets page.

    View source
  2. 2The Work of Atget

    Exhibition catalogue
    The Museum of Modern Art, 1981
    Used for

    The Museum of Modern Art study of the archive and its working practice.

  1. 3Eugène Atget

    Website
    The Museum of Modern Art
    Used for

    The Museum of Modern Art's artist record.

    View source
  2. 4Eugène Atget

    Website
    Encyclopaedia Britannica
    Used for

    Encyclopaedia Britannica's biography, used for the outline of the career.

    View source
i
Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

Explore more resources