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An empty narrow Paris street corner in early light, with shuttered ground-floor shopfronts, tall shuttered windows above, a wall-mounted lamp bracket, and wet paving stones receding into shadow

Artwork reproduction

Photograph

Corner of the Rue de Seine

Coin rue de Seine

by Eugène Atget

A narrow street corner on the Left Bank, photographed empty in the early morning: shuttered shopfronts, a lamp bracket, worn paving, and a receding line of house fronts. It is the kind of picture Atget made by the thousand, and the reason a great deal of pre-Haussmann Paris is known at all.

Created
1924
Medium
Matte albumen print from a glass negative

About Eugène Atget

Eugène Atget

6 works catalogued

What the photograph shows

A corner of the rue de Seine, in the 6th arrondissement, with the shopfronts shuttered and nobody in the street. The buildings are older and narrower than the boulevards Haussmann drove through Paris in the previous century.

Atget worked early, before the traffic started, which is why so many of his streets are empty. It was practical rather than atmospheric: his plates were slow and anything moving would blur.

Photographing what was about to go

From the early 1900s Atget concentrated on the Paris that predated the Revolution, reading its history and photographing streets in context rather than as flat architectural elevations. Much of what he recorded was demolished within his lifetime or shortly after.

He sold the prints as documents: to painters and set designers who wanted reference, and in bulk to the Musée Carnavalet and the Bibliothèque historique de la ville de Paris, which commissioned him around 1906 to photograph old buildings systematically.

Frequently asked questions

What is Coin rue de Seine?

A 1924 photograph by Eugène Atget of a corner of the rue de Seine in the 6th arrondissement of Paris, showing shuttered shopfronts and an empty street. The French title means simply corner of the rue de Seine.

Why are Atget's streets always empty?

Because he worked early in the morning, before traffic, and because his glass plates were slow. A long exposure turns anything moving into a blur, so an empty street was both the practical choice and the one that recorded the buildings clearly.

What was Atget documenting?

The parts of Paris that predated the French Revolution, which were being cleared as the city modernised. He photographed streets in context rather than as architectural elevations, and much of what he recorded was demolished within his lifetime or soon after.

Who bought these photographs?

Painters, architects, decorators and set designers bought them as working reference, and institutions bought them in bulk. The Musée Carnavalet and the Bibliothèque historique de la ville de Paris began purchasing in 1898, and the latter commissioned him around 1906 to photograph old buildings systematically.

Where is the rue de Seine?

In the 6th arrondissement on the Left Bank, running between the boulevard Saint-Germain and the quai Malaquais, in the Saint-Germain-des-Prés quarter.

More by Eugène Atget

References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Corner of the Rue de Seine, its making, and its place in cultural history.

  1. 1Eugène Atget

    Website
    Wikipedia
    Used for

    Web source consulted for documented facts and historical context presented on the Corner of the Rue de Seine page.

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  2. 2Atget, Paris

    Website
    Bibliothèque nationale de France
    Used for

    The Bibliothèque nationale de France's Atget exhibition, the source of this reproduction.

    View source
  1. 3Atget, photographe de Paris

    Nonfiction
    Henri Jonquières, 1930
    Used for

    The first book of his photographs, published in 1930 with Berenice Abbott as photo editor.

  2. 4Eugène Atget

    Website
    Encyclopaedia Britannica
    Used for

    Encyclopaedia Britannica's biography, used for the outline of the career.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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