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A woman in a dark dress and apron standing in the open doorway of a plain house, one hand on the frame, with a large painted street number on the wall above the door

Artwork reproduction

Photograph

Versailles, Brothel, Petite Place

Versailles, maison close, Petite Place

by Eugène Atget

A woman stands in a doorway on the Petite Place at Versailles, waiting, in front of a house whose number is painted large above the door. Atget made the photograph in March 1921 as part of a short series on licensed brothels and the women who worked in them, one of the few times he photographed people rather than streets.

Created
March 1921
Medium
Gelatin silver print from a glass negative

About Eugène Atget

Eugène Atget

6 works catalogued

What the photograph shows

A woman stands in an open doorway on the Petite Place at Versailles, one hand resting on the frame. The house number is painted large on the wall above her, which is how licensed brothels were marked.

She is looking at the camera. Atget photographed streets and buildings almost exclusively, and a person standing still and facing him is unusual in his work.

The 1921 series

Atget made a short series on prostitutes and licensed houses in 1921, after selling thousands of negatives to public institutions in 1920 and 1921 had left him financially independent enough to photograph what he chose.

The pictures are documentary in the same manner as the shopfronts: a trade, its premises, and how it presented itself to the street. The women are recorded standing at their doors during working hours, which is where the business was conducted.

Frequently asked questions

What does this photograph show?

A woman standing in the doorway of a licensed brothel on the Petite Place at Versailles, photographed by Eugène Atget in March 1921. The large painted number above the door is how such houses were identified.

Why did Atget photograph brothels?

As part of a short 1921 series documenting the trade and its premises, in the same working manner he applied to shopfronts and street traders. By 1921 he had sold thousands of negatives to public institutions and could choose his own subjects.

Is this unusual for Atget?

Yes. He photographed streets, buildings, courtyards and park sculpture almost exclusively, and people appear in his pictures mostly as blurred figures caught by a long exposure. A subject standing still and looking at the camera is rare in his work.

What was a maison close?

A licensed brothel. Under French regulation of the period such houses were registered, inspected, and marked by an outsized street number painted on the facade, which is the number visible above the door in this photograph.

When was it taken?

March 1921, at Versailles, six years before Atget's death.

More by Eugène Atget

References

References

The sources below include collection records, catalogues, scholarly research, and primary materials that informed this page. They document Versailles, Brothel, Petite Place, its making, and its place in cultural history.

  1. 1Eugène Atget

    Website
    Wikipedia
    Used for

    Web source consulted for documented facts and historical context presented on the Versailles, Brothel, Petite Place page.

    View source
  2. 2Eugène Atget

    Website
    The Museum of Modern Art
    Used for

    The Museum of Modern Art's artist record; the museum holds the Abbott-Levy collection.

    View source
  1. 3The Work of Atget

    Exhibition catalogue
    The Museum of Modern Art, 1981
    Used for

    The Museum of Modern Art study, which places the 1921 series after the institutional negative sales.

  2. 4Eugène Atget

    Website
    Encyclopaedia Britannica
    Used for

    Encyclopaedia Britannica's biography, used for the outline of the career.

    View source
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Why these sources are here

These references provide the documented foundation for this work's history and interpretation. Claim-level citations remain attached to the specific claims they support.

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