Post Office
Charles Bukowski
Women
Charles Bukowski
What happens when a persona built on failure suddenly succeeds: Chinaski, famous at last, and no better at living.
Women, published by Black Sparrow Press in 1978, finds Henry Chinaski — Charles Bukowski's fictional alter ego — transformed by late literary fame. He is no longer the ignored postal clerk: women know who he is, universities invite him to read, and there is money. The novel is a serial account of the relationships that followed, written with a frankness that made it Bukowski's most controversial book and has kept it argued over since. It is also, under the sex, a study of a man watching success arrive too late to fix him: the persona was built on rejection, and the book asks what is left of it when the rejection stops.
Chinaski, now in his fifties and a name in the poetry world, moves through affairs with women who write to him, meet him at readings, or find him through his books. The portraits are drawn from Bukowski's real relationships of the 1970s, thinly disguised and often unflattering to everyone involved, the narrator first of all.
The novel's running joke is that fame has changed the circumstances and not the man: the drinking, the racetrack, and the self-sabotage survive success intact. Its ending points toward the steadier life Bukowski was beginning with Linda Lee Beighle, who appears in fictional form as the book closes.
Few novels study what recognition does to a persona built on failure; Women does it from inside, without asking to be liked.
The fame, the readings, and the women of this novel are the circumstances of everything he wrote afterward.
1970s
The relationships of Bukowski's first famous decade supply the novel's material.
1976
Bukowski meets Linda Lee Beighle, who appears in fictional form near the novel's end.
1978
Black Sparrow Press publishes Women; the same September, Bukowski makes his Paris promotional trip.

Post Office
Charles Bukowski
Love Is a Dog from Hell
Charles Bukowski
The poetry collection from the same years, working the same material line by line.
Read our takeHollywood
Charles Bukowski
The next transformation: the famous writer watching a film get made about his life.
Read our takeThe third Henry Chinaski novel finds Bukowski's fictional alter ego famous in his fifties, and follows the serial relationships that came with late literary success — drawn closely and explicitly from Bukowski's own life in the 1970s.
The novel's sexual politics have been argued over since 1978. The portrayals of women can be tender, funny, vicious and cruel; some readers take the exaggerated masculinity as partly satirical, since Chinaski is constantly ridiculous and defeated, while others find that satire does not excuse the cruelty. Both readings are part of the book's history.
Most are fictionalized versions of women from Bukowski's life in the 1970s, including the poet and sculptor Linda King and, near the end, Linda Lee Beighle, whom he later married. The transformations are thin and were not always welcome.
It helps. Women lands harder after Post Office and Factotum, because its subject is what fame does to the man those novels built.
Black Sparrow Press published it in 1978 — the same year French publishers brought Bukowski to Paris for the television appearance that made him famous in France.
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Biographical and bibliographic backbone: the career arc, the Black Sparrow relationship, and the book's place in it.
Publication dates, publishers, and chronology checked against the bukowski.net timeline.
Bibliographic details cross-checked against the Verdant Press checklist.
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