Notes of a Dirty Old Man
Charles Bukowski
Notes of a Dirty Old Man
The underground newspaper column where this mode of Bukowski prose was invented.
Read our takeTales of Ordinary Madness
Charles Bukowski
The stories that made France love him first — half of the notorious 1972 collection, under the title the world kept.
Tales of Ordinary Madness, published by City Lights in 1983, collects half of Charles Bukowski's 1972 story collection Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness, which City Lights divided into two volumes — this one and The Most Beautiful Woman in Town. The stories are the wildest form of Bukowski's prose: drunks, prostitutes, madmen, writers, and Los Angeles landlords, told with a looseness the novels discipline. In French, as Contes de la folie ordinaire, the collection helped make Bukowski famous in France before America caught up — and an Italian film adaptation arrived in 1981, directed by Marco Ferreri, before this English edition existed.
The stories run from autobiographical sketches barely fictionalized to grotesque invention: racetrack afternoons, drunk tanks, sexual disasters, and writers behaving badly at readings. The register swings between the comic and the genuinely disturbing, sometimes inside one story — this is Bukowski with the novel's structural restraints removed.
The collection's publication history is its own story. The 1972 original appeared from City Lights under the title Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness; in 1983 City Lights split that volume in two, and the halves have circulated under the split titles since. The French translation of the material, Contes de la folie ordinaire, was central to Bukowski's European fame in the late 1970s.
Without the novels' autobiographical spine, the prose goes where the poems and novels do not — funnier, uglier, and stranger.
This is the book, in translation, that French readers knew him by when he landed in Paris in 1978.
1972
City Lights publishes the original combined collection under its full title.
1981
Marco Ferreri's film adaptation appears, with Ben Gazzara.
1983
City Lights splits the 1972 volume; Tales of Ordinary Madness takes the title the world keeps.

Notes of a Dirty Old Man
Charles Bukowski
The underground newspaper column where this mode of Bukowski prose was invented.
Read our takeWomen
Charles Bukowski
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Charles Bukowski
A collection of Charles Bukowski's wildest short stories — drunks, madmen, writers and Los Angeles low life — published by City Lights in 1983 as half of his 1972 collection Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness, which was split into two volumes.
City Lights divided it in 1983 into Tales of Ordinary Madness and The Most Beautiful Woman in Town; the two split volumes have carried the stories since.
Its French translation, Contes de la folie ordinaire, was one of the books that made him a cult figure in France in the late 1970s — the readership that brought him to Paris in September 1978.
Yes — Marco Ferreri's 1981 film, with Ben Gazzara playing a Bukowski-like poet, adapted the material two years before this English split edition appeared.
Some are barely fictionalized sketches from Bukowski's life; others are grotesque invention. The collection swings between the two without labeling which is which.
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