Tales of Ordinary Madness
Charles Bukowski
Notes of a Dirty Old Man
Charles Bukowski
The underground newspaper column that invented the public Bukowski — autobiography, fiction and provocation with no editor in the way.
Notes of a Dirty Old Man, first published by Essex House in 1969 and kept in print by City Lights, collects the columns Charles Bukowski wrote for the Los Angeles underground newspaper Open City beginning in 1967. The column gave him a weekly deadline and no editorial supervision, and he used the freedom to mix autobiography, fiction, drunken anecdote, satire, sex and deliberately unreliable storytelling in whatever proportions the week suggested. It is where the public 'dirty old man' persona was invented — the character Bukowski found he could sell, whose cost was that the character was himself.
The pieces run short and hit fast: racetrack economics, barroom philosophy, sexual misadventure, literary opinion delivered as insult, and stretches of plain memoir that arrive without warning between provocations. When Open City folded, the column moved on — including to the Los Angeles Free Press — but this collection preserves its first and defining run.
Everything the public Bukowski became was prototyped in these columns, in public, week by week.
The collection doubles as a record of the late-1960s Los Angeles underground papers and the freedom they briefly offered.
1967
The column begins in the underground newspaper Open City while Bukowski is still a postal clerk.
1969
Essex House publishes the collection; Open City folds and the column moves on, including to the Los Angeles Free Press.
1973
City Lights takes the book over and keeps it in print.

A collection of the weekly columns Charles Bukowski wrote for the Los Angeles underground newspaper Open City from 1967, first published as a book by Essex House in 1969 — autobiography, fiction, satire and provocation mixed without editorial supervision.
Both, deliberately unlabeled. Plain memoir sits between invented episodes and exaggerated anecdote, and the column never tells the reader which is which.
From this column's title and its weekly performances. The persona sold books for the rest of Bukowski's life; the collections and biographies since have spent decades separating it from the disciplined writer underneath.
It began in Open City in 1967 and moved to other papers, including the Los Angeles Free Press, after Open City folded in 1969 — the year the columns became this book.
No — start with the novel Post Office. The columns reward readers who already know the life they keep referring to.
Explore authors with a similar voice, perspective, and influence.

The doctor of the Paris slums who wrote the century's blackest, funniest novel — and changed the sound of French prose.
View author
The Brooklyn dropout who arrived in Paris broke at thirty-eight and wrote the exuberant, banned books that ended American censorship.
View author
Diarist of the century — sixty years of the most famous journal in modern literature, Henry Miller's first champion, and, posthumously, the best-selling erotic writer of her age.
View authorThe sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Notes of a Dirty Old Man, its publication, and its place in literary history.

The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.
Biographical and bibliographic backbone: the career arc, the Black Sparrow relationship, and the book's place in it.
Publication dates, publishers, and chronology checked against the bukowski.net timeline.
Bibliographic details cross-checked against the Verdant Press checklist.
The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.