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Notes of a Native Son quotes

76 quotes from Notes of a Native Son by James Baldwin, each verified verbatim against the text and located in the book. Page 2 of 4.

Cover of Notes of a Native Son by James Baldwin

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Perhaps it now occurs to him that in this need to establish himself in relation to his past he is most American, that this depthless alienation from oneself and one’s people is, in sum, the American experience.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
They are charmed by the reflection that Paris is more than two thousand years old, but it escapes them that the Parisian has been in the making just about that long, and that one does not, therefore, become Parisian by virtue of a Paris address.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)
I know, in any case, that the most crucial time in my own development came when I was forced to recognize that I was a kind of bastard of the West; when I followed the line of my past I did not find myself in Europe but in Africa.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
In overlooking, denying, evading his complexity—which is nothing more than the disquieting complexity of ourselves—we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
The failure of the protest novel lies in its rejection of life, the human being, the denial of his beauty, dread, power, in its insistence that it is his categorization alone which is real and which cannot be transcended.
James Baldwin, “Everybody’s Protest Novel,” Notes of a Native Son (1955)
It is not simply the relationship of oppressed to oppressor, of master to slave, nor is it motivated merely by hatred; it is also, literally and morally, a blood relationship, perhaps the most profound reality of the American experience, and we cannot begin to unlock it until we accept how very much it contains of the force and anguish and terror of love.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
On the 29th of July, in 1943, my father died. On the same day, a few hours later, his last child was born.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
He could be chilling in the pulpit and indescribably cruel in his personal life and he was certainly the most bitter man I have ever met; yet it must be said that there was something else in him, buried in him, which lent him his tremendous power and, even, a rather crushing charm.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
I had discovered the weight of white people in the world. I saw that this had been for my ancestors and now would be for me an awful thing to live with and that the bitterness which had helped to kill my father could also kill me.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
They face each other, the Negro and the African, over a gulf of three hundred years—an alienation too vast to be conquered in an evening’s good-will, too heavy and too double-edged ever to be trapped in speech.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
The rage of the disesteemed is personally fruitless, but it is also absolutely inevitable; this rage, so generally discounted, so little understood even among the people whose daily bread it is, is one of the things that makes history.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
One wonders what on earth the first slave found to say to the first dark child he bore.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent—which attitude certainly has a great deal to support it.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
The terrible thing about being a Negro leader lies in the term itself.
James Baldwin, “The Harlem Ghetto,” Notes of a Native Son (1955)
Of all Americans, Negroes distrust politicians most, or, more accurately, they have been best trained to expect nothing from them; more than other Americans, they are always aware of the enormous gap between election promises and their daily lives.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
The American commonwealth chooses to overlook what Negroes are never able to forget: they are not really considered a part of it.
James Baldwin, “Journey to Atlanta,” Notes of a Native Son (1955)
It is really quite impossible to be affirmative about anything which one refuses to question; one is doomed to remain inarticulate about anything which one hasn’t, by an act of the imagination, made one’s own.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)
The American in Europe is everywhere confronted with the question of his identity, and this may be taken as the key to all the contradictions one encounters when attempting to discuss him.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)
It is quite possible to say that the price a Negro pays for becoming articulate is to find himself, at length, with nothing to be articulate about.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
Appearances to the contrary, no one in America escapes its effects and everyone in America bears some responsibility for it.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
It is a sentimental error, therefore, to believe that the past is dead; it means nothing to say that it is all forgotten, that the Negro himself has forgotten it. It is not a question of memory.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
The making of an American begins at that point where he himself rejects all other ties, any other history, and himself adopts the vesture of his adopted land.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
For a tradition expresses, after all, nothing more than the long and painful experience of a people; it comes out of the battle waged to maintain their integrity or, to put it more simply, out of their struggle to survive.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)

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