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In its words

Notes of a Native Son quotes about memory & the past

13 quotes on memory & the past from Notes of a Native Son by James Baldwin, each verified verbatim against the text and located in the book. Drawn from the 76 in the full collection.

Cover of Notes of a Native Son by James Baldwin

About James Baldwin

Illustrated portrait of James Baldwin
Joyce is right about history being a nightmare—but it may be the nightmare from which no one can awaken. People are trapped in history and history is trapped in them.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
The story of the Negro in America is the story of America—or, more precisely, it is the story of Americans. It is not a very pretty story: the story of a people is never very pretty.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
This was his legacy: nothing is ever escaped.
James Baldwin, “Notes of a Native Son,” Notes of a Native Son (1955)
I think that the past is all that makes the present coherent, and further, that the past will remain horrible for exactly as long as we refuse to assess it honestly.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
Perhaps it now occurs to him that in this need to establish himself in relation to his past he is most American, that this depthless alienation from oneself and one’s people is, in sum, the American experience.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
I know, in any case, that the most crucial time in my own development came when I was forced to recognize that I was a kind of bastard of the West; when I followed the line of my past I did not find myself in Europe but in Africa.
James Baldwin, “Autobiographical Notes,” Notes of a Native Son (1955)
The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
The rage of the disesteemed is personally fruitless, but it is also absolutely inevitable; this rage, so generally discounted, so little understood even among the people whose daily bread it is, is one of the things that makes history.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
One wonders what on earth the first slave found to say to the first dark child he bore.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.
James Baldwin, “Stranger in the Village,” Notes of a Native Son (1955)
It is a sentimental error, therefore, to believe that the past is dead; it means nothing to say that it is all forgotten, that the Negro himself has forgotten it. It is not a question of memory.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
The making of an American begins at that point where he himself rejects all other ties, any other history, and himself adopts the vesture of his adopted land.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
For a tradition expresses, after all, nothing more than the long and painful experience of a people; it comes out of the battle waged to maintain their integrity or, to put it more simply, out of their struggle to survive.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)

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