About James Baldwin
I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually.
I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain.
Joyce is right about history being a nightmare—but it may be the nightmare from which no one can awaken. People are trapped in history and history is trapped in them.
People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
This world is white no longer, and it will never be white again.
One writes out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
The story of the Negro in America is the story of America—or, more precisely, it is the story of Americans. It is not a very pretty story: the story of a people is never very pretty.
There is not a Negro alive who does not have this rage in his blood—one has the choice, merely, of living with it consciously or surrendering to it.
I saw nothing very clearly but I did see this: that my life, my real life, was in danger, and not from anything other people might do but from the hatred I carried in my own heart.
The dead man mattered, the new life mattered; blackness and whiteness did not matter; to believe that they did was to acquiesce in one’s own destruction. Hatred, which could destroy so much, never failed to destroy the man who hated and this was an immutable law.
I want to be an honest man and a good writer.
This was his legacy: nothing is ever escaped.
From the vantage point of Europe he discovers his own country.
I think that the past is all that makes the present coherent, and further, that the past will remain horrible for exactly as long as we refuse to assess it honestly.
But our humanity is our burden, our life; we need not battle for it; we need only to do what is infinitely more difficult—that is, accept it.
Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty, the inability to feel; the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart; and it is always, therefore, the signal of secret and violent inhumanity, the mask of cruelty.
Our passion for categorization, life neatly fitted into pegs, has led to an unforeseen, paradoxical distress; confusion, a breakdown of meaning. Those categories which were meant to define and control the world for us have boomeranged us into chaos; in which limbo we whirl, clutching the straws of our definitions.
It must be remembered that the oppressed and the oppressor are bound together within the same society; they accept the same criteria, they share the same beliefs, they both alike depend on the same reality.
Our dehumanization of the Negro then is indivisible from our dehumanization of ourselves: the loss of our own identity is the price we pay for our annulment of his.
Negroes are Americans and their destiny is the country’s destiny. They have no other experience besides their experience on this continent and it is an experience which cannot be rejected, which yet remains to be embraced.
This laughter is the laughter of those who consider themselves to be at a safe remove from all the wretched, for whom the pain of the living is not real.
The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new white man, too.
They emerge for what they are: a mirror of our confusion, dishonesty, panic, trapped and immobilized in the sunlit prison of the American dream.
He had lived and died in an intolerable bitterness of spirit and it frightened me, as we drove him to the graveyard through those unquiet, ruined streets, to see how powerful and overflowing this bitterness could be and to realize that this bitterness now was mine.
It began to seem that one would have to hold in the mind forever two ideas which seemed to be in opposition. The first idea was acceptance, the acceptance, totally without rancor, of life as it is, and men as they are: in the light of this idea, it goes without saying that injustice is a commonplace.
The Friday Letter
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