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In its words

Notes of a Native Son quotes about identity

32 quotes on identity from Notes of a Native Son by James Baldwin, each verified verbatim against the text and located in the book. Drawn from the 76 in the full collection. Page 2 of 2.

Cover of Notes of a Native Son by James Baldwin

About James Baldwin

Illustrated portrait of James Baldwin
The American in Europe is everywhere confronted with the question of his identity, and this may be taken as the key to all the contradictions one encounters when attempting to discuss him.
James Baldwin, “A Question of Identity,” Notes of a Native Son (1955)
The making of an American begins at that point where he himself rejects all other ties, any other history, and himself adopts the vesture of his adopted land.
James Baldwin, “Many Thousands Gone,” Notes of a Native Son (1955)
He finds himself involved, in another language, in the same old battle: the battle for his own identity.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
What time will bring Americans is at last their own identity. It is on this dangerous voyage and in the same boat that the American Negro will make peace with himself and with the voiceless many thousands gone before him.
James Baldwin, “Encounter on the Seine: Black Meets Brown,” Notes of a Native Son (1955)
The question thrusting up from the bottom of my mind was not what I was, but who. And this question, since a what can get by with skill but a who demands resources, was my first real intimation of what humility must mean.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)
That evening in the commissariat I was not a despised black man. They would simply have laughed at me if I had behaved like one. For them, I was an American.
James Baldwin, “Equal in Paris,” Notes of a Native Son (1955)
The most important thing about this movie—and the reason that, despite itself, it is one of the most important all-Negro movies Hollywood has yet produced—is that the questions it leaves in the mind relate less to Negroes than to the interior life of Americans.
James Baldwin, “Carmen Jones: The Dark Is Light Enough,” Notes of a Native Son (1955)

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