Living on Luck
Charles Bukowski
Living on Luck
The second volume of the selected letters, covering the years that follow.
Read our takeScreams from the Balcony
Charles Bukowski
The letters of the post-office decade: an unknown poet writing to small-magazine editors while sorting mail for a living.
Screams from the Balcony, published by Black Sparrow Press in 1993 and edited by Seamus Cooney, is the first of three volumes of Charles Bukowski's selected letters. It covers 1960 to 1970 — the decade when he was working at the Los Angeles post office, publishing in little magazines, and writing constantly to the editors who printed him. The letters are the record of a career being built by mail: submissions, arguments about poetry, complaints about work, and the correspondence with John Martin that ended with Martin offering him a hundred dollars a month to quit his job. Because Bukowski wrote letters the way he wrote everything else, the volume also reads as autobiography for a decade he never wrote a memoir about.
The correspondence matters for a plain reason: almost nothing else documents these years from inside. The novels came later and fictionalized them; the poems compress them. In the letters Bukowski is writing to particular people about particular things on the day it happened, which makes this the closest thing to a primary record of the decade before he became famous. The first edition included 300 signed copies with an original silkscreen print, alongside the trade printing.
The decade of the post office and the little magazines, recorded as it happened rather than remembered afterward.
The correspondence that ends with John Martin's proposal — the moment the whole career turns.
1960–1970
The years the letters cover: the post office, the little magazines, and the correspondence with John Martin.
1993
Black Sparrow Press publishes the volume, edited by Seamus Cooney.

Living on Luck
Charles Bukowski
The second volume of the selected letters, covering the years that follow.
Read our take
The Days Run Away Like Wild Horses Over the Hills
Charles Bukowski
The poems of the same decade, including the elegies for Jane Cooney Baker.
Read our takeThe first of three volumes of Charles Bukowski's selected letters, published by Black Sparrow Press in 1993 and edited by Seamus Cooney. It covers 1960 to 1970.
The novels fictionalize the same years. These letters were written to particular people on the day things happened, so they are the closest thing to a direct record of the decade Bukowski spent at the post office.
Yes. The correspondence with Martin runs through the volume and reaches the offer of a hundred dollars a month that let Bukowski quit his job in 1970.
Three from Black Sparrow, all edited by Seamus Cooney: this one, Living on Luck (1995), and Reach for the Sun (1999). Other volumes collect specific correspondences.
Bukowski's phrase. The letters were written from cheap apartments in Los Angeles, and the title describes the noise coming off them.
Seamus Cooney arranged the letters chronologically and used roughly half the contents of each, cutting repetition to keep the volume readable. He states the method rather than concealing it.
About twenty-five correspondents across the decade — mostly editors, publishers and other poets, including the artist Sheri Martinelli and the poet then known as Neeli Cherry.
Explore authors with a similar voice, perspective, and influence.

The doctor of the Paris slums who wrote the century's blackest, funniest novel — and changed the sound of French prose.
View author
French writer and philosopher whose novels, memoirs, and social analysis examined freedom, gender, responsibility, aging, and the material conditions that shape a life.
View author
Author of The Sun Also Rises and A Moveable Feast; his pared-down style, developed in 1920s Paris, became the most imitated in American prose.
View authorThe sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Screams from the Balcony, its publication, and its place in literary history.

The primary text represented by this page, used for descriptions of the work’s contents and for any quoted passages shown here.
The post-office decade and the correspondence with John Martin in the career narrative.
Publication year, editor, and the chronology the letters cover.
Edition details, including the signed silkscreen issue.
Official record used to verify names, dates, institutional details, or other factual information on this page.
The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.