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Illustrated portrait of Maurice Bendrix

A character in The End of the Affair

Maurice Bendrix

The jealous novelist who narrates the affair and hires a detective after it ends.

What they want

To learn why Sarah left and turn an uncontrollable loss into an explanation he can own.

The book

Cover of The End of the Affair by Graham Greene
The End of the AffairGraham Greene, 1951

A wartime affair ends without explanation, and jealousy turns the search for an answer into a struggle with belief.

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At a glance

Work
Novelist
Relationships
Sarah's former lover; Henry's friend
Role
First-person narrator

Who they are in the book

Spoiler-free

Maurice Bendrix is a London novelist and the book's first-person narrator. He begins after Sarah's death and admits that hate shapes his account.

He met Sarah while researching Henry for a novel. During the affair, his need for reassurance became interrogation; after she left, it became surveillance.

Because Bendrix arranges the story, his greatest power is narrative control. Sarah's diary forces him to include evidence that disproves his most confident suspicion.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • Controlled writer's voiceHe makes intense feeling sound like exact evidence.
  • Jealous attentionDelays, names, addresses, and gestures become material for suspicion.
  • Postwar restraintCareful manners conceal a grievance carried for years.
  • Detective by proxyParkis makes private longing look like professional inquiry.
  • Reader of the diarySarah's words change the facts but do not end his argument.
  • Anger redirectedOnce rivals disappear, he treats God as the being who took Sarah.
Bendrix's final argumentHow the book leaves them, what happened after, and what the record says. Open when you're ready.

After Sarah dies, he confronts events that look miraculous. He ends by addressing God directly and asking to be left alone, a refusal that shows belief has become unavoidable.

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