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Illustrated portrait of Richard Smythe

A character in The End of the Affair

Richard Smythe

A public atheist whom Sarah visits because she hopes disbelief can free her.

What they want

To make suffering intelligible without God and persuade others that religion is unnecessary.

The book

Cover of The End of the Affair by Graham Greene
The End of the AffairGraham Greene, 1951

A wartime affair ends without explanation, and jealousy turns the search for an answer into a struggle with belief.

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At a glance

Public position
Atheist writer and speaker
Visitor
Sarah Miles

Who they are in the book

Spoiler-free

Smythe writes and speaks publicly against religion. Sarah seeks him for reasoned disbelief, not romance.

A facial condition makes him self-conscious and becomes part of Bendrix's crude effort to reduce him to a visible mark.

He offers Sarah a language for rejecting God, but her questions expose the emotional limits of a purely intellectual answer.

How the book draws them

Appearance, manner, and tone — as the book sketches them, in our words.

  • Argumentative poiseHe is practiced in defending atheism.
  • Marked faceHis condition shapes encounters without defining him.
  • Public workHis disbelief is organized argument.
  • Mistaken rivalBendrix reads Sarah's visits as sexual.
  • Intellectual confidenceHe begins with a system for interpreting pain.
  • Certainty unsettledSarah's death complicates that confidence.
Smythe's changed faceHow the book leaves them, what happened after, and what the record says. Open when you're ready.

His facial condition disappears after Sarah prayed for him. Greene's revision makes the event less unequivocally miraculous.

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