The Rebel
Albert Camus
The Rebel
The book-length essay turns the play's choice about children and political murder into a general defense of rebellion with limits.
Read our takeThe Just Assassins
Albert Camus
by Albert Camus
Revolutionaries planning an assassination discover that a just cause does not settle what they may do.
A five-act play published in 1950 and based on a 1905 attack by Russian Socialist Revolutionaries. Ivan Kaliayev is prepared to kill a grand duke but refuses when children are in the carriage. The group’s argument over that limit makes the play a direct companion to The Rebel.
In Moscow in 1905, members of the Socialist Revolutionary Party prepare to assassinate Grand Duke Sergei Alexandrovich. Ivan Kaliayev will throw the bomb. When the carriage arrives with the grand duke's young niece and nephew inside, Kaliayev lowers his arm and returns to the safe house.
The group argues over whether his refusal was courage or betrayal. Stepan Fedorov believes revolution permits no such hesitation; Dora Doulebov and Boris Annenkov defend the limit. Two days later Kaliayev gets another chance, kills the grand duke and accepts that he must pay with his own life.
Annenkov, Dora, Stepan, Voinov and Kaliayev wait in an apartment for the planned bombing. Kaliayev returns with the bomb unused because children were riding with the grand duke. Stepan argues that revolutionary justice includes the children of oppressors; the others refuse that position.
At the second attempt, Kaliayev throws the bomb and is arrested. In prison, police official Skouratov offers him a public story of repentance in exchange for his life. The grand duchess visits and asks him to admit that her husband's murder was a crime. Kaliayev refuses both political manipulation and religious absolution.
Outside prison, the group waits for news. Dora's love for Kaliayev and her commitment to the cause become inseparable as the execution approaches.
A carriage, two children and one armed man make the limit on political violence immediate rather than theoretical.
Kaliayev, Dora and Stepan disagree about love, sacrifice and innocent lives without becoming simple labels for good and evil.
The poet chosen to throw the bomb, committed to revolution but unwilling to kill children.
The group's bomb maker, in love with Kaliayev and unwilling to separate justice from human attachment.
The leader responsible for keeping the plan and the divided group together.
A revolutionary hardened by prison who argues that political necessity permits killing without Kaliayev's limit.
The murdered grand duke's widow, who visits Kaliayev in prison and asks him to recognize personal grief rather than only political purpose.
1905
Members of the Socialist Revolutionary Party assassinate Grand Duke Sergei Alexandrovich in Moscow.
1949
Les Justes premieres at the Théâtre Hébertot in Paris.
1950
Gallimard publishes the play in French.
1951
The Rebel develops the play's problem of revolutionary violence into a book-length argument.

The Rebel
Albert Camus
The book-length essay turns the play's choice about children and political murder into a general defense of rebellion with limits.
Read our takeCaligula
Albert Camus
Caligula uses power without limits; Kaliayev insists on a limit even when it threatens the revolution he serves.
Read our takeThe play follows Russian revolutionaries planning to kill a grand duke. Their bomber refuses to act when children are present, forcing the group to decide whether a just cause places any limit on violence.
Gallimard published Les Justes in 1950 after the play's Paris premiere in December 1949.
Usually not. Start with The Stranger, then read The Just Assassins when you want this part of Camus’s work.
Yes. Camus based it on the 1905 assassination of Grand Duke Sergei Alexandrovich and on members of the Socialist Revolutionary combat organization, while shaping the record into a drama.
The grand duke's niece and nephew are in the carriage. Kaliayev believes the revolution cannot claim justice while deliberately killing children.
The play dramatizes the exact limit The Rebel defends: resistance may be necessary, but it destroys its moral claim when it treats innocent lives as expendable.