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Cover of Travels with Myself and Another by Martha Gellhorn

Travels with Myself and Another

A Memoir

by Martha Gellhorn

A travel book organised entirely around the trips that went wrong, and the funniest thing she ever wrote.

Published
1978
Shelf rating
4.4

About Martha Gellhorn

Illustrated portrait of Martha Gellhorn
Martha Gellhorn

20 books shelved

The story, briefly

Spoiler-free

Gellhorn's account of her worst journeys — China in 1941, the Caribbean, Africa, Russia — told with the flat comic timing of someone who has been genuinely miserable and taken notes. The 'Another' of the title is Hemingway, who appears throughout as her Unwilling Companion and is never named. Written in 1978, more than thirty years after the marriage ended, it is the closest she came to writing about him at length, and she does it without once conceding the subject.

The story, in more detail

Five journeys, chosen for being awful. She goes into the Chinese interior during the Sino-Japanese war by sampan and on horseback; she spends a week in Moscow among dissidents; she sits out long days in a disused water tank at Eilat on the Red Sea among the hippies who had settled there; and there are the African and Caribbean legs. The complaints are specific and repeated — the beds, the absence of anything that could be called a bathroom, food and water she could not risk, and local people who were unable to help her or saw no reason to.

The comedy comes from the flatness of the telling. She does not build the misery into anecdote or draw a lesson from it, and the effect of a professional describing genuine wretchedness without self-pity is funnier than a joke would be. The China section is also the one place she wrote at length about the marriage: Hemingway travels with her as U.C., the Unwilling Companion, named nowhere in the book. He complains, she keeps going, and the reader is left to work out how much of the account is a settled score.

Themes and analysis

These readings discuss events throughout the book, including its ending.

The beach at Kastelli

The beach at Kastelli turns failed escape into a reason to write. In “Credentials,” Gellhorn first exposes the picturesque village she invented from a map, then places her exhausted body among the rubbish that contradicts it. The joke depends on admitting her part in the disappointment, not simply blaming an unlucky destination. Her decision to make a book of such experiences is followed by a search through letters and diaries. That sequence gives the opening a second purpose: it shows a narrator turning imperfect memory into a project, rather than claiming that experience automatically produces wisdom.

On the littered beach at Kastelli, a failed swimming trip becomes the beginning of a book. An imagined scene from the opening chapter. (Illustration — The Paris Atlas)

What is in the jug?

The jug dialogue, reproduced by Alyson Foster, makes uncertainty a matter of timing. U.C. answers a question about contents with a name and a claim of prestige; Gellhorn repeats the practical question he has avoided. Each short reply delays the information the reader is waiting for. When the contents are finally named, the assurance that the snakes are dead supplies a comic qualification that does little to answer her concern. The exchange lets companionship emerge through resistance and teasing, without making this brief scene stand for the whole marriage.

Gellhorn questions U.C. about the spring-wine jug in “Mr Ma’s Tigers.” An interpretive illustration of their exchange, with the surrounding setting left unspecified. (Illustration — The Paris Atlas)

Why we recommend it

  1. The best joke in her work

    Calling Hemingway the Unwilling Companion and declining to name him for an entire book is a sustained piece of comic restraint.

  2. Travel writing without the brochure

    Organised around journeys that failed, which turns out to be a far better structure than journeys that succeeded.

  3. Late Gellhorn at her loosest

    Written at seventy, with nothing left to prove and no editor's war to file for.

What this book explores

Timeline

  1. 1941

    Gellhorn travels into wartime China by sampan and on horseback with Hemingway — the 'Unwilling Companion,' named nowhere in the book — the journey that sits at the center of the memoir.

  2. 1978

    More than thirty years after the marriage ended, she publishes the account of her worst journeys, the closest she came to writing about Hemingway at length.

  3. 2001

    Tarcher reissues the travel memoir with a foreword by Bill Buford.

Book editions

Hardcover
Hardcover
1978
First edition
Paperback
Paperback
Reissued by Eland in the UK, which keeps it in print as a travel classic

Reader reviews

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Recommended alongside Selected Letters of Martha Gellhorn and The Innocents Abroad.

Travels with Myself and Another: frequently asked questions

Who wrote Travels with Myself and Another?

Martha Gellhorn. This travel memoir was published in 1978.

What is Travels with Myself and Another about?

Her worst journeys — China in 1941, the Caribbean, Africa, Russia — chosen for being awful, and told with the flat comic timing of someone who has been genuinely miserable and taken notes.

Who is the "Another" of the title?

Ernest Hemingway, her husband at the time, who appears throughout as her "Unwilling Companion" and is never named.

Is it a funny book?

Yes — it is her comic masterpiece, travel writing built entirely from disasters, delivered deadpan.

Was Gellhorn married to Hemingway?

Yes. She was his third wife, and their grueling 1941 trip into wartime China sits at the center of the book.

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References

References

The sources below include the primary text, editions, scholarship, archival materials, and other records that informed this page. They document Travels with Myself and Another, its publication, and its place in literary history.

  1. 1Travels with Myself and Another — 1978 bibliographic record

    Official record
    Google Books, 1978
    Used for

    The 1978 bibliographic record verifies the book's original publisher and publication year.

    View source
  2. 2Martha Gellhorn: A Life

    Biography
    Caroline Moorehead, 2003
    Used for

    Used to place Travels with Myself and Another within Martha Gellhorn's published work and verify its bibliographic context.

  3. 3Martha Gellhorn — War Correspondent and Writer | Blue Plaques

    Website
    English Heritage
    Used for

    Used for independent biographical, archival, or historical context surrounding Martha Gellhorn's career and the period in which Travels with Myself and Another appeared.

    View source
  4. 4Ernest Hemingway Collection — Martha Gellhorn (Hemingway) | EH@JFK, John F. Kennedy Presidential Library

    Website
    John F. Kennedy Presidential Library and Museum
    Used for

    Used to cross-check authorship, chronology, and the work's place in Martha Gellhorn's wider catalogue.

    View source
  1. 5Martha Gellhorn | Historic Missourians

    Website
    The State Historical Society of Missouri
    Used for

    Used to verify Martha Gellhorn's bibliography and place Travels with Myself and Another within the broader chronology of Martha Gellhorn's career.

    View source
  2. 6Penguin Random House — Travels reissue

    Website
    Used for

    Web source consulted for documented facts and historical context presented on the Travels with Myself and Another page.

    View source
  3. 7Travels with Myself and Another — public preview of Credentials

    Website
    Jeremy P. Tarcher/Putnam; preview hosted by Everand, 2001
    Used for

    Complete opening chapter read in the public preview, with the preface and front matter kept distinct; not a complete-book reading.

    View source
  4. 8Married to Her Writing — article reproducing Gellhorn’s jug dialogue

    Website
    Humanities, National Endowment for the Humanities, 2023
    Used for

    Used for the short primary dialogue reproduced in the article. No full-chapter reading, exact print pagination or independent reconstruction of the marriage is claimed.

    View source
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Why these sources are here

The primary text is the baseline reference for every book page. Additional references document publication history, interpretation, and historical context where that evidence is available.

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